Dan Waller

Adrift after her Unitarian Universalist church is firebombed, a Midwestern woman attempts to welcome two promoters renting out the congregation’s basement for a DIY punk gig.

A nepotism baby meets her father for dinner at a restaurant and finds out that he’s going to cut her off if she doesn’t relinquish the family name. The ensuing argument forces her to face some harsh truths about family and how much she’d be willing to give up to keep it.

Henry Whipple wants his rebellious son Dean to help expand his family’s farming empire. However, Dean has his sights set on becoming a professional race car driver. When a high-stakes investigation into their business is exposed, father and son are pushed into an unexpected situation that threatens the family's entire livelihood.

A new theatrical film recorded in one live, uninterrupted take—declared "a juicy, fast-paced look at rivalry" by Chicago Tribune. Overlooked and betrayed, Banquo had a rough go of it in Shakespeare’s Macbeth. Now, reexamine the “Scottish Play” through the eyes of the title character’s murdered best friend. Banquo considers how he might have responded to the prophesies of the Weird Sisters had he been in Macbeth’s position—questioning his own motives, desires, and temptations. Tim Crouch’s I, Banquo is staged by Marti Lyons, one of the most sought-after directors in American theater with extensive credits at DC’s Studio Theater, Woolly Mammoth Theatre Company, Writers Theatre, and American Players Theatre.

When a small-town sheriff witnesses what he believes to be an attempted kidnapping, his effort to save the beautiful damsel in distress sets him down a wild path of comic mishap.

Follows a young man who after his father is murdered starts making bad choices, goes through life-threatening consequences and, of course, gets into guns.

Robert Townsend stars as the patriarch of a family devastated when his wife is killed in a senseless auto accident. Reeling with grief, each family member must find courage and vision to carry on, ultimately eager to do the mother proud.

Stage actor Dina attempts to jump-start her failing on-camera career by standing outside a coffeehouse, asking passersby for first impressions. Humiliated, reduced to IRL comments, likes and indifference, Dina's authorial voice awakens.