Olinda Mano

If you’re already familiar with Louis Feuillade, his little-known opus Vendémiaire may come as a surprise. Unlike the bulk of his work which was characterised as ‘Fantastic Realism’, Vendémiaire is wonderfully down-to-earth realism – or down-to-French-earth realism to be specific. The film itself is divided into four chapters, the titles of which suggest that this is a movie about the cultivation and consumption of wine. But as the narrative unfolds, it becomes clear that the cultivation and consumption of wine is an allegory for French culture and French land as a whole, and the real purpose of the film is to persuade the director’s fellow citizens to defend that spirit and those lands at all costs. It’s September 1918 and the war is coming to an end, but here on the Castelviel estate in the south of France the news has not yet arrived and everyone is busy with the grape harvest....

When an unscrupulous banker ruins his family, a young man swears to bring him to justice, so he adopts a new identity, the mysterious Judex, and ominously disguised and sunk into the muddy path of vengeance, punishes the crooks and protects the innocents. (Originally a twelve-part epic serial.)

Luc Froment, a reform-minded engineer, starts working at a steel mill in a small town. There he founds small groups of workers (and their families) under miserable conditions. Under the influence of Fourier's ideas, Froment tries to turn the mill into a workers' co-operative.

Two small girls whose father is in prison are collected by their grandfather after losing their mother in a shipwreck.

A continuation of the film series "Judex" the masked fighter for justice.

After falling in love with a young man (Edouard Mathé), Lilie/Lily abandoned her family and eloped, only to comes back with an illegitimate child.