Zhang Lu

Chang-ho, 12, becomes friends with a North-Korean immigrant about the same age who just crossed the Dooman river, border between North-Korea and China. His mute sister and his wise grandfather accompany him through a series of misfortunes.

They're losers, but nice ones. Every day they sit at Yeri's bar, smitten by the young Chinese-Korean woman. Yeri doesn't have a preference. To her, they are equally sweet: Jongbin, a milk-drinking epileptic, Ikjune, a former petty criminal, and the introverted Jungbum, who fled from North Korea.

After a decade as a Beijing drifter, Fang Chunshu returns to Chengdu, grappling with urban alienation from her single mother, until a local youth helps her rediscover familial bonds through emerging cultural spaces and find renewed purpose amid the city's transformation.

Their separate worlds converge when a restaurant owner suggests they "share a table" during overlapping lunch breaks. What starts as awkward silence evolves into tacit understanding over shared noodles, leading them to explore Shanghai's culinary scene together .

Yoon-young fell for Song-hyeon when she was married to his friend. When she gets divorced, he takes her on a trip to Gunsan, where they stay at a guest house run by a middle-aged man and his autistic daughter.

A bookseller from Seoul travels with a young woman to Fukuoka in Japan to meet a former friend from university. While their reunion is haunted by the conflicts of the past, his travel companion floats through the plot as if moving through a dream.

Samgyi returns to Lhasa to shoot a film about her childhood. Struggling with creative uncertainty, she finds herself in an endless cycle of arguments with her father. At a chance party, she meets Lhamo, the girl who inspired the character in her story. As the night quietly slips away, the summer that once lingered in fragments of memory gradually comes into full view...

A Beijing professor returns to his stomping grounds for a friend's funeral. Reflecting on the past, he meets a tea shop owner who sparks feelings of love in a time of pain.

Gu Wentong learns the whereabouts of his father, who lost contact with him more than 40 years ago. Encouraged by new friend, photographer Ouyang Wenhui, Gu Wentong decides to face his father and rebuild the long-lost father-son relationship.

People have varying perceptions and definitions of love and movies. One must overcome differing opinions and disregard insignificant factors in order to achieve the end product in each aspect. However, it is these trivial features that matter in the end and leave their imprint on our souls. Whether it is for love or for movies, we must continue to question and attend to the subtle inscriptions upon our emotions.

In China, Xuie lives an impoverished life with her father who is far from helpful. She is living in Chongqing. One day, her father gets arrested because of prostitution and she is called to the police. One policeman comes closer to her and her mind is taken by him.

30 years after the explosion at Iri station (Iksan, South Korea) the city has changed its name, rebuilt itself, but the people still carry the scars. Jin-seo is one of them. She is mentally impaired due to the explosion her mother experienced while giving birth to Jin-seo. She lives with her cab-driver brother, Tae-woong. The men in the town takes advantage of Jin-Seo's mental impairment and her mild manner nature. Tragedy soon strikes Jin-seo again...

After the film screening, five people hold a meeting. Director Jeong asserts that a film should move the heart. Actress Soo-yeon emphasizes on the message of the film, Film critic Tony just discusses about the current trend of Korean cinema. Tomiyama cannot fully express her thoughts because of the language barrier. And, the head of jury, Sung-ki can’t control the situation. Will this jury reach an agreement against all odds? A satire for those who make, watch, and criticize films is about to begin.

Eleven, which played at the 2001 Venice Film Festival, is the first short film of director Zhang Lu. He is a forty-year-old writer whose works engage with issues of cultural difference stemming from his own background as a member of the Korean cultural minority in China. Eleven is a fourteen-minute long vignette, virtually silent, of an eleven-year-old boy's encounter with a group of soccer players his own age.

An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin's home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument's sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school's value and relevance to real life.

After his marriage falls apart, Wang Dali (portrayed by Zhang Luyi) continues to live under the same roof as his ex-wife Zhang Jing (portrayed by Qi Xi), yet an insurmountable "emotional time lag" has grown between them. However, a bird-searching experience and the shared responsibility of taking care of their family gradually bridge the gap between them. How will Wang Dali seize this chance to win back his lost love and family?

At a Japanese restaurant nestled within the busy streets of Beijing, Li Dong convinces his older brother Li Chun to travel together to the Japanese city of Yanagawa to find and catch up with their childhood sweetheart Liu Chuan.

A father takes his son to observe an empty field, and then to visit a neighbour, who is soon visited by other reticent characters, including a man who is a little violent, and another next-door neighbour who has fallen ill.

A muggy summer of 2009, reality and memory tangled together, water from the canal soaked everyone in those vanishing days.

Cui, a young Korean mother living on the outskirts of Chinese society, has a husband in jail and a son to support. She barely makes a living selling kimchi to workers along the side of a bleak, industrial road. A love affair with a fellow Chinese-Korean leads to tragic consequences as Cui struggles against the vulnerability of her position.

A couple who have lived under the same roof for years without speaking a word, as if practicing a silent meditation. Marina, who came to Sawai Island in search of a legendary love story, and another foreigner, a young man with the same name as the legendary protagonist. The landscape of foreigners living difficult lives in Guro-dong, Garibong-dong, Sillim-dong, and Ansan, Gyeonggi-do, South Korea. Director Kobayashi Masahiro, beloved by Cannes, Edwin, the future of Indonesian cinema, and cineaste Jang Ryul unfold a story of "people who feel alone even when together."

The film is director Gao Zipeng’s first fiction film which takes three years to complete. It premieres on March 27, 2001 in UCCA and stars the poet A Jian, Xiao Zhao and the writer Gou Zi. The film is based on a true crime of disappearance. It creates an atmosphere of what Ma Zhiyuan, a celebrated poet and playwright of Yuan Dynasty, portrays in his famous poem “Autumn Thoughts”: Over old trees wreathed with rotten vines fly evening crows/ Under a small bridge near a cottage a stream flows/ On ancient road in the west wind a lean horse goes/ Westward declines the sun/ Far, far from home is the heartbroken one.

Quitting her job and being pregnant - that's the sum of what we know about Eunju. Seemingly without much desire or expectation, Eunju heads to the countryside at the suggestion of Changho, who proposes a month of seasonal farm work. She tidies up rice straw left over from threshing, tends to cattle, sits down to eat with rough-hewn men of the countryside, and exchanges brief, trivial, awkward conversations.