Tamuna Karumidze

A filmmaker finds creative freedom more elusive than he imagined in this ironic comedy-drama. Tired of the state-appointed producers and censorship in his homeland, Soviet Georgia, Niko decides to move to France, only to find that he has merely traded one type of interference for another.

The film is based on a series of novels by Stas Dombrowski, a former drug addict and criminal who learned that he was HIV positive in 17 years, and plunged into absolute self-destruction for next two decades. Only on his deathbed in prison therapy, knowing that he would die in two weeks, Stas understood that he wants to live more than anything in this world.

Kira is living her life with the teenage confidence that the world revolves around her. Born and raised in the late Soviet Ukraine, she sees her life predictable and clear. But it doesn't last long. Suddenly, she discovers that her father has a mistress, and her mother knows about it but prefers to remain silent. As Kira's family begins to fall apart —and so does the Soviet State— everything she knew turns out to be an illusion. Kira is searching for love, warmth, and hope for the future, going down a dark path she could not foresee.

Dmitrij has recently returned to his small Georgian hometown after graduating from a university abroad. His monotonous days drag on, between working and the solitary rock-climbing excursions.

When Zhorik moves to Kyiv, he has high hopes to improve his life. But then he encounters the mundane struggles, bureaucracy, and corruption of Ukrainian reality.

This is a love story. In a place that is not intended for this at all. The events of the film unfold in the day stay group of people with disabilities. And only the inner beauty and strength of the heroes of the film turn it into a "Place of Love." This is a story about all of us, about the pursuit of happiness, inner beauty, sincerity - that there are no differences between all of us.

Lena gets mixed up in an adventure of her girlfriend and agrees to participate in an exhibition. Unexpectedly she becomes a living statue: before hundreds of long- ing eyes, deprived of the possibility to move or speak – everything that remains is to meet herself and her inner enemies.

Retraces the roots of the escapade of a group of Georgians in their twenties who hijacked an Aeroflot passenger plane on November 18, 1983 from Tbilisi.