Jack A. O'Connell

Acting

Jack A. O'Connell

Born October 9, 1943 · Queens, New York, U.S.

Died March 3, 2025 · aged 81

John Anthony O’Connell (October 9, 1943 - March 3, 2025) was an American actor.

Known For

Knight and DayKnight and Day · 2010
Knight and Day
★ 6.22010
MovieActionComedy
A fugitive couple goes on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust.
HustlersHustlers · 2019
Hustlers
★ 6.52019
MovieDramaComedy
A crew of savvy former strip club employees band together to turn the tables on their Wall Street clients.
Bringing Out the DeadBringing Out the Dead · 1999
Bringing Out the Dead
★ 6.61999
MovieDrama
Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
Inside Llewyn DavisInside Llewyn Davis · 2013
Inside Llewyn Davis
★ 7.22013
MovieDramaMusic
In Greenwich Village in the early 1960s, gifted but volatile folk musician Llewyn Davis struggles with money, relationships, and his uncertain future.
Men in Black 3Men in Black 3 · 2012
Men in Black 3
★ 6.52012
MovieActionComedy
Agents J and K are back...in time. J has seen some inexplicable things in his 15 years with the Men in Black, but nothing, not even aliens, perplexes him as much as his wry, reticent partner. But when K's life and the fate of the planet are put at stake, Agent J will have to travel back in time to put things right. J discovers that there are secrets to the universe that K never told him - secrets that will reveal themselves as he teams up with the young Agent K to save his partner, the agency, and the future of humankind.
The Big SickThe Big Sick · 2017
The Big Sick
★ 7.32017
MovieComedyDrama
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Requiem for a DreamRequiem for a Dream · 2000
Requiem for a Dream
★ 8.02000
MovieCrimeDrama
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
DoubtDoubt · 2008
Doubt
★ 7.22008
MovieDrama
In 1964 Bronx, two Catholic school nuns question the new priest's ambiguous relationship with a troubled African-American student.

Filmography

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Two Family HouseTwo Family House · 2000
Two Family House
★ 6.32000
MovieDramaRomance
Buddy Visalo (Michael Rispoli) is a factory worker, a frustrated crooner who once had a shot at the big time. Buddy's dreams of greatness have been reduced to an endless series of failed moneymaking schemes. His latest is buying a two-family house for him and his wife, Estelle (Katherine Narducci) and converting the ground floor into a neighborhood bar where he can perform. The wrench in the works is that he also inherits the upstairs tenants, Mary,a pregnant Irish girl fresh off the boat (Kelly Macdonald) and her abusive, alcoholic husband, Jim (Kevin Conway). As Buddy's gang of Italians tries to handle the situation, the girl goes into labor, and a baby is born, forcing them all to confront the limits of their tolerance and compassion.

Mr. Mahoney

Swift JusticeSwift Justice · 1996
Swift Justice
★ 7.01996
SeriesCrimeDrama
Swift Justice is an American detective drama television series created by Dick Wolf and Richard Albarino, broadcast for one season (13 episodes) on UPN from March 13 to July 17, 1996. James McCaffrey stars as former Navy SEAL Mac Swift, a private investigator fired from the NYPD. He receives support from his former partner Detective Randall Patterson (Gary Dourdan) and his father Al Swift (Len Cariou). Critics noted the series' emphasis on violence, specifically in the pilot's opening sequence, drawing comparisons to The Equalizer (1985–1989) and Die Hard (1988). UPN canceled the program after receiving complaints from viewers, advertisers, and critics for its stark depiction of violence. Wolf considered the cancelation a mistake due to good ratings. Further, it was praised for its visuals and McCaffrey's performance, but often criticized as being either too violent or formulaic.

Desk Officer