Ico Costa

Paraguay, 1958. The charismatic Narciso returns from Buenos Aires with rock ’n’ roll in his veins. Under the suffocating military regime, his radio show becomes a music sensation and a symbol of freedom.

When her mother dies, 40-year-old Helena now has time for herself after years of taking care of her family. She works at a film production company, dances boisterously, gets drunk. A quiet film about letting go morphs into a coming of middle age story.

In Hindu mythology, RAHU is the severed head of a demon responsible for swallowing the sun and causing the eclipses. It is also Alex Zhang Hungtai, David Maranha, Gabriel Ferrandini, Júlia Reis and Pedro Sousa, all five in the dark, in circle, vociferating to each other, with their arms their feet their nerves, a growing, raw tension, without term, sipping restlessness through a testimony of the exploratory music in contemporary Lisbon.

Different groups of people wander in a rainy, windy, dark world. They spend time together, trying to get away from their depressing jobs, meandering constantly towards a disturbing surreal queer fantasy.

Balane 3 is a neighbourhood in Inhambane. Inhambane is a city in Mozambique. Mozambique is a country in Africa. Africa is not just what you see on TV. In other words, Balane 3 is a documentary about the lives and times of the inhabitants of Inhambane, a city in the south of Mozambique. Like any other people in the world, the characters in this film work as car washers, fishermend or butchers, they go to school, hospitals, barbershops and street markets, they drink and dance at night, they talk about diseases, politics, friends, love and sex. They talk a lot about sex.

Domingos and Neusia are a young couple from a small city in Mozambique. She goes to school, he has an underpaid job at a car wash. Yearning for a better life, Domingos sets on a journey through Mozambique, heading to the gold mines in the north of the country. In the meantime, Neusia waits at home.

A dive into the heart of Timkat, a fascinating purification ritual in which moments of joy, trance and religious devotion reveal a certain pride in national identity.

Henrique lives alone in the mountains in Portugal. Having his children been taken away by the social services, one day he searches for the psychologist in charge of the process to get some sort of vengeance. From then on, he hides in the forest for several days, trying nothing but to survive.