María Renée Prudencio

Mariel is a veteran elite diver who has one last chance at the Olympic Games. However, when a terrible truth comes to light, Mariel faces her biggest personal question: Is winning her true dream?

While vacationing at a beachside resort, a single mother faces inevitable separation anxiety when her 15-year-old son — who is also her best friend — discovers magical chemistry with a girl his own age.

A schoolteacher in the small city of Santa Cruz de la Sierra has a passionate affair with his frigid wife's sister—despite the risk of having to confront not only his wife, but also his dubious father-in-law.

Turmoil becomes the order of the day when a Mexican theatrical company begins its rehearsals of absurdist philosopher Albert Camus's “Caligula” for an influential upcoming international theater festival.

A story of two teens, brother and sister, who live with their dying mother in a rundown mansion in Zacatecas, sustain by a dangerously dependent relationship.

The tiricia is an illness of the soul when the heart is saddened. A story of three generations afflicted with being tiricientas: Ita, Justa and Alicia – grandmother, mother and daughter – who have at different times suffered, tolerated and allowed abuse, dragging on the disease. Alicia decides to break the cycle, eradicating it for future generations.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Ana is running away from her hometown while Mar, an old acquaintance of hers, is coming back after a long absence. They find each other in the middle of the road and through the night, they make a journey amongst their fears to find out that still waters run deep.

In this sequel to The L Word, we continue to follow the intermingled lives of Bette Porter, Alice Pieszecki and Shane McCutcheon, along with a new generation of diverse, self-possessed LGBTQIA+ characters experiencing love, heartbreak, sex, setbacks and success in L.A.

Police chief Fernándo Gomez Miranda kills his friend, the well-respected lawyer and likely candidate for Attorney General, Raúl de Los Reyes and his youngest daughter of only thirteen in a vehicle ambush. Gomez' son, Luis Mario – a sad-eyed broadcast journalist of passionate conviction – arrives on the scene soon after with his camera and discovers a wounded survivor in the car; Camila, the eldest daughter of de Los Reyes. Luis rushes her to the hospital, saving her life and thereby creating a bond between them that he cannot escape. Luis' half-brother, police detective Alfonso Carbajal, is assigned to the case. An old schoolmate of Camila's, Alfonso has long been in love with her and conflicts arise when all evidence points to Camila being involved in the drug trade. The two brothers find themselves caught between their professional duty that would require them to expose Camila and their desire to protect her.

Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced. This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs. Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.

Vivir a Destiempo is a Mexican telenovela produced by Fides Velasco and Jacky Castro for Azteca. It stars Edith González and Ramiro Fumazoni as the protagonists alongside Humberto Zurita, Andrea Noli and Wendy de los Cobos as the main villains. The original story and screenplay is written by Eric Vonn. From February 25 to September 20, 2013 Azteca 13 broadcast Vivir a Destiempo, replacing Los Rey.

After 32 years as a Border Patrol agent, Ben Clemens is forced to work for the very people he spent his career trying to keep out of the United States. Now exposed to life on the other side of the wall, Ben starts to question his black and white views of the world, challenging his ideology and his loyalties.

The story of Secrets at the Hotel begins in 1908. Julio Olmedo and Isabel Alarcón travel on the same train to the Gran Hotel, property of the Alarcón family. Both of them ignore that their lives will take a new twist in that place, produced by love, treason, and the secrets hidden there.