Max Maximilian

A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.

Mysterious murders committed by a criminal have kept the public on their toes and the police have mistakenly accused an imposter of the crimes.

A young doctor gets stuck on a ship after treating an injured first mate. Later, he rescues a woman from plane wreckage, and with the help of the cook, he hides her away from the rowdy and dangerous crew.

Based on the real life events of the 1927 Steglitzer Schülertragödie, in which several high school students planned murder-suicides.

If watching a fellow facing indifference/rejection in the slums of Berlin didn't convey enough pathos, Gerhard Lamprecht gathered much of the same crew from Die Verrufenen and turned his attention to the city's population of unwanted children for the heart-tugging Die Unehelichen, released the following year. The trio of foster children at the center of Die Verrufenen are survivors who use their own resourcefulness to get by when the kids' guardians and the system itself let them down.

For Balduin, going out to beer parties with his fellow students and fighting out disputes at the tip of the sword have lost their charms. He wants to find love; but how would he, a penniless student, ever dare looking up to any woman worth of loving? Absorbed in his dreary thoughts and indifferent to the advances of Lyduschka, Balduin is unexpectedly offered a fortune by the mysterious money-lender Scapinelli - but on a strange condition...

Mata Hari, die rote Tänzerin (English: Mata Hari: The Red Dancer), often shortened on release to Mata Hari, is a 1927 German silent drama film directed by Friedrich Feher and starring Magda Sonja, Wolfgang Zilzer and Fritz Kortner. It depicts the life and death of the German World War I spy Mata Hari. It was the first feature-length portrayal of Hari.

This biographical portrait of composer Richard Wagner (1813-1883), feature-length and lavishly produced, was released in conjunction with the centennial of his birth. It's an outstanding achievement in many respects. Naturally it looks primitive by modern standards, but contemporary viewers should bear in mind that it was made at a time when the motion picture industry was still in its infancy, and feature films were still a novelty. The very notion of a silent movie about a composer may seem odd, but Wagner is an ideal choice, simply because his life was so tempestuous and dramatic. Wagner's personality was operatic, while his tumultuous love life unfolded like a soap opera. He knew great success and abysmal failure, luxury one day and poverty the next. He participated in the wave of revolutions that swept Europe in the late 1840s, and had to flee Germany under threat of arrest.

A waitress plans revenge on the man whom she believes killed her mother.

Silent epic on the final years of Frederick II.

German silent film about the life of Martin Luther

It was not just the children who were treated badly by the wealthy Weimar republic. Robert Kramer is released from prison but struggles to adjust to civilian life. His father disowns him, his wife has left him for another man. There is no work. He eventually arrives in a shelter for the homeless, and seeks salvation through Emma, a prostitute.

"Guilty" - Thomas Feld returns home after 16 years in prison to find his wife Magda and daughter Maria fell in the hands of Peter Cornelius, the owner of a cabaret. Lawyer Frank Peters falls in love with Maria.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

After eight years in exile Martin returns to Berlin. He was involved in the German Revolution of 1918/1919 and had to leave the country as a result. Impoverished and lonely, he struggles on alone until the market saleswoman Hanne offers him shelter, although she does not have much money either. They fall in love and Martin even finds work on the construction site for the subway through Tempelhofer Feld. One day, however, he collapses there, whereupon the pregnant Hanne tries to nurse him back to health.

In 1807 Prussia, Napoleon supporter Baron von Schranden forces his maid Regine to lead the French enemy across “Cat’s Bridge”, up behind a corps of Prussian volunteers who the French then decimate. In retaliation for this betrayal, the people of Schranden set the lord’s castle on fire. When the baron’s son Boleslav returns to the village a Prussian war hero in 1813, he is faced with a self-righteous village community that has denied his late father a decent burial. Regine is Boleslav’s only ally, and Boleslav is Regine’s only ally. The conflict escalates, and the villagers set up an ambush for him at Cat’s Bridge …

The story of Brennende Grenze (= Burning Border) starts after the end of WWI. Polish franctireurs invade the German bordering regions which are to be given to Poland as agreed on in the post-war peace treaties. Luise von Willkühnen's manor is invaded by Ladislaus von Zeremski, his lover Nadja and their gang. They treaten the inhabitants until Luise's son kills Zeremski.

A young student, Stephan, inherits shares in a coal mine from his father. The mine is no longer profitable, and Stephan needs money to finance his studies, so he takes up work in the mine.