Franco Brocani

Frankenstein's monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa.

The wealthy patriarch of the Hilton family has just died, and his heirs have gathered at the family castle to collect on their inheritances. However, it's not long before a black clad killer strikes, bumping off several members of the Hilton clan, in gruesome fashion. As the police begin their investigation, long buried secrets are revealed, including curses and connections to black magic.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

An archaeology student photographs a mysterious naked woman by a waterfall, unaware that she is a female demon called Haggia, who soon takes possession of him via a cursed amulet.

Experimental short by Franco Brocani, Claudio Capotondi and Luca Maria Patella.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

Trapianto heralds the end of utopia, the death of that underground, but is also the best prologue in Necropolis, which is not by chance found alive. It 's a film that establishes the passage of rolling between two friends, and Brocani Schifano, shared the same passions, and from living the cinema as a challenge urgent and vital, suspended between dream and action.

Freely adapted from a story by Marcel Schwob in 'Screw imaginary' and deeply focused on the thought of Georges Bataille, the film wants to give substance to Clodia tragic affair, the Roman noblewoman loved by Catullo and made him immortal in his ways, with the Lesbia pseudonym.