B-saku Satoh

A humble taxi driver (Sato Bsaku) is surprised when Lucia (Takagi Mio), a bar girl he was attracted to 10 years ago, happens to get in his taxi as a passenger. The man was once a bomb terrorist, and when she discovered his identity, he imprisoned her in his room. She was eventually caught up in a bombing incident and her whereabouts are unknown...

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

A love story written by an ordinary housewife is going to be broadcast as a radio drama and almost everyone among the crew insists on changing various parts of the play to their liking.

Intrepid tax investigator Ryoko Itakura sets her sights on the mysterious and philandering Hideki Gondo, a suspected millionaire and proprietor of a thriving chain of seedy hourly hotels, who has for years succeeded at hiding the true extent of his assets from the Japanese authorities. Itakura and Gondo soon find themselves engaged in a complicated, satirical battle of wits.

A 1920s playwright meets a beautiful woman who may be the ghost of his patron's deceased wife.

Tetsuo is a young man living in Tokyo, who falls in love with a deaf-mute factory girl. He has always felt jealous of his college-educated brother, but ultimately wins both the girl and his father's acceptance and support in a touching and refreshing way.

Recorded on 15th April 1994 at Kinokuniya Hall, Tokyo. This play is what brought media fame to Koki Mitani back in 1991, performed by his theatre group Tokyo Sunshine Boys. It was adapted into a television special in 1992 and then in 1994 (the run the released DVD recording captures) they did another run. It was broadcast on NHK-BS2 on 26th May 1994, identical to the TV release but with differences in music. It is Mitani's typical farcical comedy where the characters follow only one rule: 'No matter what happens. Once that curtain rises. It must not be lowered until we finish our performance.' Koki Mitani said of the play 'They are outrageous people, but deep down, there is a firm principle running through their veins: "Once the curtain rises, no matter what happens, there is an ironclad rule." For stage performers, the phrase "the show must go on" essentially means you can't take the show off.'

In the far-off future of 2001, a young boy from outer space lands on earth inside a flying peach. The boy (named Apple) is adopted by a Catholic priest, but soon disappears. Three schoolgirls decide to search for him, and soon find evidence that he is being held captive in a trendy dance club. What is the club owner doing with him, and will his adopted father ever see him again?