Andrés Calamaro

In 1969, the Epstein brothers founded a music house in the heart of downtown Buenos Aires. There they offered the best imported records and it soon became a sanctuary. Musicians like Claudio Gabis, Nito Mestre, Charly García, Andrés Calamaro, agree that it was the place of freedom and inspiration that they so needed. It was the time when the avant-garde of the Di Tella Institute was nourished by the incipient rock and art, causing an explosion in the middle of a society isolated and lethargic by the repressive state apparatus. El Agujerito tells the story of this iconic record store through archival material and testimonies.

The story takes place in a parallel world during a tour of the musician Daniel Melingo in Europe. What looks like real not always is. With elements of surrealism, the 1930s and the 21st century, the plot accompanies him always focused on the intermediate times, when he downs the stage, away from the show.

Convicts, scammed people, addicts, musicians in trouble—all of them look for Joe Stefanolo, the criminal lawyer who’s been fighting for more than four decades to bring the spirit and ideals of rock to justice.

A look into Argentina's rock scene post-Cromañon's tragedy. It does not just present the most popular songs by soloists and bands featured in the film, but it goes backstage and shows the artists’ private world, how they write their music, where they live, how they became what they are and what their dreams are.

Jose is an elderly rebel who, after being refused a withdrawal at a bank, returns with a gun and threatens to shoot himself if he doesn't get his cash. Pedro, a young teller, is disillusioned with his life and sees Jose's stunt as a way out when he pretends to be taken hostage, leaving the bank with the old man and a hefty amount of money. The unlikely duo become friends, picking up tough-girl Ana along the way, while avoiding the police.