Gianni Amico

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

In 1925, Gabriela, a poor, uneducated, yet charming woman becomes cook, mistress, and then wife of Nacib, a bar owner in Ilhéus, a small Brazilian coastal town run by the local colonels.

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.

A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.

As Fabrizio contemplates joining the Communist Party, he breaks off his planned marriage to a bourgeois woman and becomes incestuously involved with his alluring aunt.

"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.

Between August 23 and 31, 1983, at the "Circo Massimo", in Rome, there was a musical event that brought together artists from Bahia. This film brings a recording of the event, also featuring backstage, rehearsals, testimonies and some relaxing moments of these great names in Bahia's music.

The story of a young man who meets his own likeness and uses him to fulfill his dreams.

During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.

The restlessness creeps into a claustrophobic situation where a typist confronts the recorded voice of the writer she works for.

A family of Brazilian farmers is desperately looking for work and moves from city to city.

A fragmented style, patchwork of interviews with Caetano Veloso's friends, mixed with conversations, thoughts, scenes of dance and literature excerpts.

During the 1968 Pesaro Festival, animated by the intervention of the students, riots occurred caused by fascist provocations and the usual police brutality. Following clashes culminating in the arrest of several Festival participants, there was a general assembly of those present in Pesaro, whose firm attitude led to the release of those arrested. The film is a chronicle of that meeting (It is the second of the cycle Seeing is a way of thinking).

Made for the Liguria program: 90 years of cinema. The precious superimposition of two diaries: the personal one, written and filmed by the director and his companions of moments lived in Manarola, and that of Telemaco Signorini, an artist focused on the Cinque Terre who feels the need to nourish his figurative obsession with theoretical insights for that same place where Amico's daily life takes place with Olympic prosaicity.

Short film about racism in the US.

A man receives a telegram that his father is dying, and travels with his wife to his hometown. They discover that the telegram is untrue, and set out to find who sent the message and why.

The events of Giuliano Sartori, correspondent from Genoa for a newspaper in the capital, involved in a complicated investigation set in a psychiatric clinic. Not a simple Italian thriller but a "Russian doll", an open story with different levels of reading and interpretation, in which the distance between the madness of authenticity of feelings and the sprawling social normality that leads to 'annulment of the person and loneliness. Collaborators on the subject and the script of the film are Bernardo Bertolucci and Enzo Carra.

The male protagonist falls in love with a very beautiful blonde woman and with a mysterious past who seems to be almost a ghost, a shadow.

The history of the activities of the Culmv (Compagnia Unica dei Lavoratori Merci Varie) in the Port of Genoa, spanning from the 14th century to the present day. The documentary is structured in three parts: "Caravana e Camalli," "Compagnia Unica Lavoratori Merci Varie," and "Il Sacco e il Container."