Sigurður Sverrir Pálsson

Not expecting his son back today, Emil is brought to face his past, his family, his community, after he finds himself stuck upon the small mountain. This will be a day to remember.

Benjamin Dove is a story of a group of friends who form their own little round table of knights. The first thing they see in the morning is what they are to be called. Benjamin saw a dove first thing, hence, Benjamin Dove. However problems start to occur as some boys are outcast, some are kicked out, new gangs are created, rivalry and chaos ensue and finally it ends with a death. A death no one in the sleepy town expected.

A political comedy about the effects of the apparent discovery of gold in the sands near a small community on Iceland's south coast. Troops from the American NATO base "invade" the territory, journalists from Reykjavik arrive and the morals of the local inhabitants quickly turn topsy-turvy.

María has fled her home of Germany in the wake of the aftermath of the second world war and comes to Iceland to work on a farm.

Emily is a young boy that dreams about owning a dog and he starts working so he can save up to buy one. Meanwhile his family are dealing with money problems.

All marketing is done through Coldwater Seafood Corporation, which is an affiliated company of the Icelandic Freezing Plants Corp. Coldwater also own and operate two fish plants in the USA, where they produce great varieties of processes sea-products. The film fallows fish from Iceland to the States, shows the marketing and distribution system and fallows the fish through quality control, processing and finally the distribution.

Based on the saga of Gísli Súrsson, one of the Icelandic Sagas. The attempt of a family head in 10th century Iceland to strengthen the fragile bonds within the clan through blood brotherhood turns into the opposite through suspicion and resentment. When the law of blood revenge has to be fulfilled after a murder, a fateful chain reaction is set in motion.

What could be better than knowing your future? And what could be worse? A love-filled childhood abruptly ends when catastrophe descends. A catastrophe that the child had foreseen yet failed to act upon.

About Icelandic composer Jon Leifs (1899-1968) who spent much of his life in Germany before WWII. The film begins in the 1930s after he has married the daughter of an industrialist, Annie, who is also a concert pianist. This era was frustrating for Leifs because his works were seldom performed. Iceland's submission for the Academy Award for Best Foreign Language Film in 1995

In the middle ages a small Greenlandic boy comes drifting with an Iceberg to a remote and superstitious settlement in Iceland and is believed to be an evil spirit by his looks. He saves a young boy from an avalanche and they become friends. The young Icelandic boy has to fight for his friends existence against the ignorant villagers, who want him imprisoned or even killed

This corporate documentary describes one year in the production of herring, starting with marketing speculations and research of the year's possible catch. It shows the herring caught at sea, landed, salted, and tended to until it is exported after passing rigorous quality control. Intertwined with this story is the history of the herring industry in Iceland.

Lisa wants to take a cruise, hubby Finnbogi schemes to make money. He buys a dilapidated bakery. They get lucky when Karolina, who bakes great cakes, offers to work for them. She's the mother of Marta, head of the area's largest bakery, and the two have quarreled. Marta can't abide mom's rebellion or the rival bakery's success, so she inveigles Finnbogi to invest in porn toys without telling Lisa. Where does he get the cash? From his son Bjartmar, who has promised Russian sailors he'll arrange the purchase of ten Landas. The Russians are coming to collect their cars, Finnbogi hasn't sold a single dildo, hard-bitten Marta plans one more nasty trick. How can Lisa get her cruise?

Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the conflict between Moli, the liquor smuggler, and Aggi, a night club owner who wants to be Iceland's first mafia boss.

Helgi is a young man that dreams about becoming a writer and returns to his childhood home with his girlfriend Lára. While he's there he becomes obsessed with shooting a reindeer for unclear reasons. Iceland's submission for the Academy Award for Best Foreign Language Film in 1986

No plot synopsis found anywhere online.

Five friends gather for a celebration that spins wildly out of control. Something goes terribly wrong. Next morning, national sports icon, swimmer Gulli Björns wakes up beside the naked body of a woman. No one knows who she is. No one knows where she comes from. Not his girlfriend. Nor his best buddy. No one remembers what happened. Now, as the questions fly fast and furious, Björns must wander through a mirrored maze of half-truth and full-blown lies to discover the shocking truth in a swirl of deception, manipulation and murder.

Various events of importance to the nation and to individual persons during the cold war and from about 1960 emerge as fragments of the memory of a little boy learning about life, about divorce, military occupation, the Beatles, little girls and death.

An Icelandic farmer's son decides to leave his farm, fiance, friends, dog and horse, during the depression before World War II, to start a new life somewhere else.

A dramatized documentary about the capital of Iceland, Reykjavík. The city is seen through the eyes of a visitor, a Canadian girl of Icelandic descent, who marvels at the many charms and peculiarities of Reykjavík. The film was made on the occasion of the 200th anniversary of the city.

Swan is an old man from the country. He comes alone to the city to get medical treatment. But the city is not welcoming. Nobody wants to have anything to do with him. Then he discovers that it might have to do with his clothes - if he just had clothes like those gentlemen he sees in the streets.

Tells of the years during the allied occupation of Iceland from 1940-1945. While a number of scenes depict daily life in Iceland (a combination of live footage and staged sequences), a substantial part of the film is concerned with military activities in Iceland and abroad, and the political development which lead to the proclamation of the Republic of Iceland in 1944. The film includes archive footage from English, American, German and Norwegian sources and incorporates interviews with people who lived through the era.