Chet Baker

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

A framed man escapes prison and takes a wealthy woman's Jaguar with her in it. After she tries to escape numerous times, they begin to develop feelings for each other, and enter a road race that ends in Mexico.

The pilot, co-pilot, and crew of a bomber try to hit a Korean bridge in bad weather.

Follows the adventures of a group of friends, teddy boys and rock and roll chicks whose crazy, fun-loving habits inspire jiving from some of Rome's citizens, and bitter complants from others which inspire a group of corrupt officials determined to a bring the group down.

Alex, a former mercenary out of business, lives on a yacht anchored off Antibes with his wife, the beautiful and tight Helen and John, a former lover of it. Around this trio, revolves Heidi, an angelic blonde catalyst tragic events that will succeed when his troubled past catches up Alex.

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

A single ordinary day in a big city. The heroine of the film is never fully revealed we see only her feet, her steps, the rhythm of her movement. Through this movement, we travel with her across the city, discovering fragments of her day. In the morning, she leaves her home and merges with the urban flow. She walks through the streets, passing dusty construction sites where the city’s constant transformation blends with everyday life. She goes to work, then stops at a small café, where the usual chaos continues. Traffic builds, people wait at bus stops, cars stand still, and the noise of construction fills the air. Within this environment, her steps move forward, becoming part of the city’s rhythm. By the end of the day, she meets her lover. Once again, we see only feet, small gestures, subtle movements. The film becomes a collage of urban moments a mixture of staged and documentary observation where the invisible presence of one woman connects the scattered pieces of the city’s life.