On Wai-Lin

They brutally killed his wife, wiped out dozens of his innocent people, and burnt his entire village down to a charbroiled crisp. Now, master Liou Wen-lung is out for revenge. Armed with a near-invincible sword style and a pack of killer darts, he heads out to settle a 10-year old grudge with the cold-blooded evildoers. Joining him is his son, an orphan named Yu Sien and his trusty servant.

After a trio of rogues murder her sister and leave her nephew for dead, a skilled swordswoman seeks revenge upon them and soon discovers she has a dismaying connection to the main culprit.

In protecting a group of children from bullying and gang violence, the gallant 'Lady Bond' Kong Yin stays with the family of driver Lee Pak in order to give classes in self-defence to Pak's younger brother Calf and neighbours Tak, Ah-ling as well as the young woman Sheung, drilling them in the moves and techniques. Startled by her striking resemblance to his kidnapped girlfriend Tong Ching-yee, Tse Tsi-ming pleads with and convinces Kong to pose as the missing girl to visit her bedridden grandfather Chung-sau. The masterminds behind the abduction, Tong's stepmother and her nephew Chan Chi-biu capture also Tse and the children. Tse brilliantly manages to alert Kong. Fighting and apprehending her opponents, Kong frees the hostages and hands the criminals over to the authorities.

One stormy night, a poor music student (Patrick Tse) meets a famous dancer (Josephine Siao). In one night, he composes for her the musical of her dreams: A Purple Stormy Night. The management of her dance company is divided on the musical, but the dancer manages to dispel all their doubts and the musical becomes a great success. The student and the dancer fall in love, but there is a shadow side to happiness: corrupted by success, the next musical they make is superficial. "Purple Night" shows the dangerous influence commerce can have on artistic integrity and is also about themes such as love and friendship, the relationship between art and life and the conflict between rich and poor.

Movie queen Ivy Ling Po is ideally cast as a male scholar in this historical Huangmei Opera romance. It’s a tragic love story between the scholar and a local beauty (played by Fang Ying). He polishes mirrors as a pretext to get closer to his love, who signals her approval by tossing him a bunch of lichees. From that point on the course of true love proves operatically rocky, complete with murder and suicide.

Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.

Notorious bandit Wong Choi-fat, already retired, loses his prized Imperial Lady Mirror on the gambling table to Chin Yik-tung. But the treasure is stolen by a cat burglar a day before the new owner claims it. Wong’s daughter Ka-yuk (Josephine Siao) suggests replacing it with a fake one. Now they need to steal the fake one before their ruse is discovered.

The film tells the story of the ups and downs of love between Zhang Junwen and singer Zhao Xiaoyun, from childhood sweethearts to sharing the ups and downs of life as adults. Xiaoyun went into prostitution to treat her mother's illness, and Junwen stepped forward to help her, but it caused misunderstanding.