Robb Wilton

A wife tries to prevent her husband, a miner, from gambling away the money he receives as an inheritance.

John Forrest is anticipating a quiet retirement spent penning detective fiction when he learns that a priceless collection of jewels belonging to a foreign potentate, Prince Homouska, has just vanished from the safekeeping of the Stamford Assurance Company. Aided by his butler, his Cockney assistant and his (initially) unwilling wife, Forrest sets out on the trail of the thieves.

Elaine Bradford is a young singer and dancer, looking for her big break. Peter Carlton is a gossip columnist facing a deadline and a blank page. So, Peter invents "Mrs. Smythe-Smythe", a mysterious Englishwoman who spends her days hunting tigers in India, jumping out of airplanes, and generally driving men mad with her beauty. Since no one in London has ever seen Mrs. Smythe-Smythe, Elaine decides to impersonate the lady, in hopes that the publicity will land her the big break she's been looking for.

After being arrested for assaulting a football referee, desperate train driver Bill (Arthur Askey) raids the railwaymen's holiday fund to cover his £55 fine. He knows he's going to be discovered though, leaving him no choice but to get the money back by hook or by crook! His last chance is to run a book on the United v City football derby. If that wasn't tense enough, Bill's son is also making his debut for United. It looks like it's going to be a day to remember - do you dare look? ...The Love Match.

Gutsy lass Gracie rallies fellow stall-holders at Birkenhead Market to prevent its takeover and demolition by a department store chain. She invokes the Market's foundation by Royal Charter just before an inadvertent gas leak provides an explosive climax.

Gracie plays a London publican's daughter named after Nell Gwynn, who much like the original, becomes romantically involved with a King(John Loder).

A pair of friends robs from a jewelry shop, and buries their loot in a field out in the country before they get caught. They spend ten years in prison, and when they're let out they go back to the burial ground, only to find out that it's no longer a bucolic pasture but the site of a large department store. Despite that setback, they're still determined to dig up their stash.

Calling the Tune offers a fascinating look at the fledgeling gramophone industry as it tries to solve the problems of reliable recording and production methods. 'I predict that the gramophone will be the democratic entertainment of the future' states unscrupulous record label boss Mr Gordon (Sam Livesey), who finally gets his comeuppance after one dirty trick too far against his rivals. If the film's love story is perfunctory, the real interest comes with watching performers of the day, from Henry Wood and his orchestra to George Robey and Charles 'the laughing policeman' Penrose laying down their recordings direct to record. And something very like a prototype laser disc makes a crucial appearance too.