Phil Motherwell

In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.

Teenage groupie Dorothy rides with a small-time rock band when, suddenly, the van runs off the road, and she hits her head. She awakes in a fantasy world as gritty and realistic as her own and learns that her arrival killed a young thug. A gay clothier, Glyn the Good Fairy, gifts her a pair of red heels as a reward to help her see the last concert of the Wizard, an androgynous glam rocker. As she's pursued by the late thug's lecherous brother, she befriends a brainless surfer, a heartless mechanic, and a cowardly biker.

Claustrophobic drama sent in the summer of 1973 against the backdrop of day-to-day social and political turmoil including the sacking of the Whitlam government. Two people meet: the gap between their intellectual and emotional response widens as their relationship develops.

Two detectives are assigned to solve a series of grisly murders of children. However, when their investigation leads them towards someone in their own squad room as the killer, the female detective edges on a total breakdown as she loses faith in her fellow officers. The film explores the decadence and corruption that exists in the police force.

Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.

Four young heroin addicts scour the streets of Melbourne in search of some good-quality narcotics – or as they call it, 'pure shit’. In the space of 48 hours, a friend dies of an overdose, they are ripped off by criminals and arrested and assaulted by police. They bungle a break-in, get chased by hooligans and one is sent to a methadone clinic. The search for drugs veers between farce and tragedy, but it never stops.

Filmed in the Clare Valley, Gladstone and the Flinders Ranges in South Australia, this prison movie was inspired by the true life prison riot at Bathurst Jail in 1974 and its subsequent Royal Commission into New South Wales Prisons.

Is an Australian drama film directed by Alkinos Tsilimidos and released in 1994. Based on a play of the same name, written by Ray Mooney, the film details the early life of contract killer Christopher Dale Flannery and is set inside Melbourne's HM Prison Pentridge's maximum security H Division.[1] Filming was undertaken at HM Prison Geelong. Dale, a remandee, is awaiting a court hearing and yet to be sentenced, highlighting the horrific injustice of the repeated beatings he's subjected to. Gradually Dale becomes indifferent to the bashings and horrors of prison life and develops an alternative, subversive way to exist and express his rage. As Dale walks defiantly from the prison in the last scene to be tried, the failure of the correctional system to produce docile, disciplined bodies pulls its last punch. Even if the system has enframed Dale he has maintained his sanity and his voice.