Jacobo Penzo

Ramiro is a ringleader of a gang of drug traffickers that in order to introduce a new drug, called Night Music (Música Nocturna), must eliminate Aurelio, the biggest drug lord. To implement his plan, he use his friend Daniel has bait who has a close friendship with Aurelio. Ramiro succeeds, murders Aurelio and proposes Daniel to participate in the drug business.

After several years of retirement, Roco decides to make a new film. To achieve this, he reassemble his crew: cinematographer Larsen, Nacho the cameraman, soundman Meta and Cacho, the ever loyal machinist. But social and personal crises have dispersed the strange and remote territories of reality. Sometimes dramatic and and sometimes funny, Roco's search will lead him to an unavoidable encounter of life, death and rebirth.

El afinque de Marín (1979) is an iconic Venezuelan documentary directed by Jacobo Penzo that explores the life, culture, and popular music of the Caracas neighborhood of Marín. Far from being merely a film about music, it delves into the social roots and collective identity of the barrio, using rhythm and everyday life as a lens to reveal the bonds, struggles, and shared histories of its inhabitants. Through its intimate portrayal of people, sounds, and spaces, the film becomes a vivid testament to popular culture as a living expression of community and belonging.

A documentary about the building of a damn near Caño Mánamo and the effects it has on the environment.

In a coastal town with no name and desolated by poverty, the sea suddenly begins to exhale a scent of roses that transforms the lives of all the villagers.

Set in the 1920s in Venezuela, this political melodrama by Jacobo Penzo follows the decision of the fictional Cruz Elías León (Franklin Virguéz), a young Venezuelan poet, to give up a life of social and possibly mainstream political advancement to go back to his home and family in an isolated fishing village and combat the despotic military dictator in charge of the country.

This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.

Two technicians foreign oil, along with the daughter of one of them, coming into the country to verify that there is a large oil field in the jungle area. They go in the area and must struggle against nature, isolation, loneliness and violence. The result, they will become victims in a new era of destruction and ambition.