Laerte Coutinho

Bil is an elderly man who works as an office boy for a firm in São Paulo, as he does not pay for a bus ticket and takes a preferential line at the bank. One day he gets involved in an unusual bank robbery.

Movie version of Brazillian children's television series TV Colosso.

An emotional geographic reading of the city of São Paulo, created through hundreds of love stories from its residents. Neighborhoods, streets, parks and houses that sometimes no longer exist, or are invisible to most people, come to life in the stories told by the inhabitants.

Bob Spit, a comic book character, lives in a post-apocalyptic desert inside the mind of his creator, the legendary Brazilian cartoonist Angeli. When Angeli decides to kill off Bob, the old punk leaves this wasteland and faces his creator.

A family with financial difficulties has a brilliant idea: to make their daughter Lindinha get pregnant of the famous singer Ivan Cláudio to inherit a lot of money and get them out of the choke. They plan the right day that the girl should go out with the star and begin to follow his performance schedule. They just didn't count with one thing: the jealous Jennifer, wife of Ivan, who will not let this story cheap.

A film director faces a complex situation in the production of his new film: Laerte, the protagonist of the story, begins to renegade her former characters, the Pirates of the Tietê. Lost in this situation and determined to be faithful to his whims after seeing the approach of death, the director decides to tell his drama mixing his persona with the story, creating a chaotic labyrinth between fiction and real life.

Claudia Wonder died in 2010 and her grave was abandoned in a dirt road without a photo or identification. The Known Daughter of Claudia Wonder claims the right to the ethernity of her trancestry.

Envy? Ego issues? Malice? In 1987, Angeli, one of the most important cartoonists in Brazil, coldly murdered one of his most famous creations, the underground diva Rê Bordosa.

An unemployed hero on the verge of an emotional and financial collapse, searches with all his strength for a purpose in life. When he receives an offer to work at the Public Security Secretariat, he feels relieved and thinks that he will finally be able to put his life back together, but the hero quickly discovers that the job is far from what he expected.

A movie adaptation of a story created by one of the greatest Brazilian cartoonists: Laerte. Two dumb clowns wander at night with the task of rescuing a kidnapped mate from an organization that aims to exterminate their kind. 'The Night of the Dumb Clowns' is a contemporary fable filled with humor against intolerance.

Carlos Drummond de Andrade's poetry is read by exponents of Brazilian culture, such as Chico Buarque, Caetano Veloso, Adriana Calcanhoto, Fernanda Torres, Marilia Pera, Antonio Cicero and others.

Marked in history as the first Brazilian comic book, totally in nuclei, Turma do Pererê is considered a giant influence for several later authors, such as Maurício de Sousa. In addition to being the first to address topics such as ecology and social inclusion, a work is also referenced for perfectly aligning with the main political interests of the time.

Documentary that presents an overview of the production of cartoons and comics in Brazil.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

TV Pirata was a weekly Brazilian comedy show aired on Rede Globo between 1988 and 1990, being re-aired monthly in 1992. Some of the writers later went on to form the comedy troupe Casseta & Planeta. The show was first aired in April 1988 to fill a gap on Rede Globo's Tuesday night prime time line-up and its comedy was inspired by sketch comedy shows such as Saturday Night Live and Monty Python's Flying Circus with a no-nonsense approach to Brazilian comedy; however, it mixed a new style of comedy with elements of Brazilian culture such as football, politics, pop culture, telenovelas, economics and celebrities. No well-known figure or member of any economical or social class was spared from the show's cutting edge humor. The premise of the show was a TV studio being invaded by pirates who took over the programming department and put a tape on the air with some "unusual" programming. Another new element to Brazilian audiences was the performers, who weren't the usual comedic actors, but dramatic actors doing more comedic roles.