Mikel Albisu

Lola, a Mexican waitress working in Madrid, befriends a 30-year-old suicidal man who has borrowed $1,000,000 to spend on his last day on Earth, knowing he will be killed anyway if he fails to return the money. After meeting Lola, however, he decides that life might be worth living after all.

After of living in France for fifteen years, Lucas, a journalist with a dark past, returns to Bilbao, his hometown. He begins an intense romance with a young woman, but a series of circumstances will make the intimacy of the couple almost impossible.

Yoyes, the first woman to hold responsibility positions within ETA, returns from exile in Mexico and try to rebuild her life. But her return is not easy.

Basque Country, Spain, 1980s. In Bilbao, a gray city dominated by political corruption and nationalist terrorism, Charli works as a chauffeur for Oliveira, a businessman engaged in shady deals. Alarmed by a series of threats and attacks, Oliveira decides to entrust Charli with the protection of his daughter Marta.

Arturo is obsessed with cleanliness and order. This trait interferes with his normal life and raises problems with those around him, specially with his mother and bride. A doctor suggests he should make a treatment with gamma rays, in his private practice.

In a small town in the Basque country, Lucas and Maria are an elderly brother and sister. They share a house with their memories and the ghosts of the people they have loved throughout their lifes. They know that sooner or later they will buy their ticket for their final journey. Marcos and Roma are young and alone. She's a nurse and paints windows that embellish the views from her room. Marcos is a street performer with no home of his own, clinging to his accordion and a pile of questions. They don't know that sooner or later they will all set out on a journey together.

Based on the life of Marino Ayerra, who was appointed as parson priest of Alsasua (Navarra) two days before the start of the Spanish Civil War.

La Buena Voz (aka The Good Voice) explores the relationship that develops between a father and a gay son he never knew existed -- two men suddenly and unexpectedly thrust into each other's lives. Pepe, a slightly listless, fifty-something taxi driver with a heart condition, suddenly learns that he fathered a child, Jordi, from a quiet affair with his wife's girlfriend. Jordi, now HIV-positive, enters Pepe's world and recolors the elder's perspective and outlook on life, with his take-no-prisoners zeal for living and a restless, inquisitive spirit.

Itziar is eight years old and lives in two very different worlds. On the one hand, the world of her disappointed Basque nationalist parents and, on the other, the religious school, which gives the girl a repressive and retrograde education. However, there is another kind of world, much nicer to Itziar, formed by the street and her friends.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.