Bruni Löbel

The Berlin Air Lift from the point of view of two Air Force NCOs who navigate romance in a bombed out post WW2 Germany.

Supported avidly by his mother and more reluctantly at first by his father, a working-class Austrian boy joins the Vienna Choirboys, where he proves to be unusually talented.

On his wanderings, Tom meets young Lizzi and accompanies her to the vacation resort "Im Sonnengrund". The residents there are threatened by a huge garbage dump that will bury them all.

The successful publisher Susanne Bredemeyer receives an extraordinary present from her husband Leo for her 60th birthday: a romantic country house in Sweden. Far away from everyday life, the two, whose marriage has become routine, want to make a fresh start. Arriving in Sweden, however, it quickly becomes clear to them that the omissions of the past few years are not so easy to make up for. And as if the unfamiliar life in nature wasn't exciting enough, the entire Bredemeyer clan gradually turns up to visit Leo and Susanne. There is no question that the rural idyll will soon be haywire.

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

One day the animals become too colorful: war is constantly going on among the people. When Alois, the lion, learns that the 365th Peace Conference has just failed, the animals decide that it is high time to intervene: they call their own "animal" peace conference. With much courage and even more imagination, they develop a plan so that Frides can finally prevail among the people of the world ...

A TV special about the christmas celebrations of the most popular TV characters in the ZDF at that time.

The keywords for this film are comradeship and trust among the youth of a small village on the Baltic which is firmly under the control of an innkeeper, Ottokar Waschke. Waschke owns the only tugboat in town, which the town's fishermen, who make up the majority of the employed, need to transport their catch. So he forces them to sell their fish for a pittance, which Waschke then re-sells at an enormous profit. In the meantime, a big-city teacher, Helmut Grundel, comes to the village and discovers Waschke's little game. Grundel wants to form a collective, so that the fishermen can become independent from Waschke and this makes Waschke into a dangerous enemy. When the young Heini, son of a dune-patrolman, discovers that canisters of liquour are being smuggled into Pommern under Waschke's watchful eye, Waschke threatens Heini, that he'll turn his father into the police, with the baseless accusation that daddy is behind the smuggling operation.