Riley Hill

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

In 1909 Arizona, retired lawman Sam Burgade's life is thrown upside-down when his old enemy Provo and six other convicts escape a chain-gang in the Yuma Territorial Prison and come gunning for Burgade.

A cop poses as a member of a stolen-car ring to capture the men responsible for the murder of his fiancee's brother.

In the American Southwest of the 1950s, middle-aged vagabond Beaudray Demerille survives as a cardsharp who moves from town to town. But his latest victory brings him unwanted spoils in the form of Wanda Nevada, a fiery 13-year-old. At first Beaudray does everything he can to ditch Wanda -- until the girl chances upon a treasure map. But Wanda and Beaudray aren't the only ones after the loot, and they must contend with a ruthless pair of crooks.

Ma Barker and her four sons terrorize the 1930s South and Midwest with a string of kidnappings, robberies and murders, and even get to work with such famous criminals as John Dillinger and Baby Face Nelson.

An ex-army officer accidentally kills a woman's son and tries to make up for it by escorting the funeral procession through dangerous Indian territory.

Retired rodeo champion Jeff McCloud agrees to mentor novice rodeo contestant Wes Merritt against the wishes of Merritt's wife who fears the dangers of this rough sport.

Jane is a nice girl and has had her eyes on a young man who seems more interested in his hand-built car than in Jane. She decides to shed her "nice girl" image when an associate of her father comes to town on his way to study Australian Aboriginal tribes.

Maggie is resentful of being pointed out and laughed at in public because she resembles the cartoon character in the George McManus comic strip "Bringing Up Father." She visits McManus in his studio office and tries to persuade him to stop drawing the syndicated comic-strip. He tells her he will...in 1959. Maggie, not getting any younger, retains counsel and takes McManus to court.

Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons.

Based upon the novel by Jack London, two friends in the Klondike aid settlers being terrorized by outlaws.

Someone has absconded with $4,000,000 worth of diamonds, and that someone may very well be a passenger on the Bombay Clipper.

Steve Llewellyn hung up his guns after killing a man in self-defense, left Willow Creek and went on the drift for five years. Now he’s back. And the bad blood stirred up by his return and the violence caused by a cattleman’s grab for all the good grasslands mean Steve must strap on his sidearms again. Rod Cameron -- who became a marquee draw with a pair of espionage serials in the 1940s and went on to establish himself as a popular cowboy star -- makes Steve a hero to reckon with in Short Grass, one of the actor’s 10 films with busy shoot-‘em-up director Lesley Selander. Johnny Mack Brown, a sagebrush stalwart in his own right, plays the marshal who allies with Steve. Adding to the Western pedigree is costar Cathy Downs, who plays the title role in the iconic My Darling Clementine. Buffs will note other familiar faces, including Alan Hale, Jr., well remembered as the skipper who takes a “three-hour tour” to Gilligan’s Island.

Travelers heading west in a wagon train, under repeated assault by Indians, discover someone in their group is supplying rifles to their attackers.

After a brief mid-1940s burst of originality, Monogram's Johnny Mack Brown western series settled back into the commonplace with such entries as Flashing Guns. In this outing, Brown tries to save his pal Shelby (Raymond Hatton) from being thrown off his ranch by crooked banker Ainsworth (James E. Logan). To do this, our hero must prove that the banker is in cahoots with the local gambling boss (Douglas Evans).

A drug dealer's car breaks down in a small U.S. town. In turn, the town's people become victim to his unique brand of physical and mental torture.

With the railroad coming, Nixon is after the ranchers land. Using a stooge land agent, his method is to claim the person they bought their ranches from never had title to the land and their deeds are worthless. Fereral Agent Johnny Mack arrives posing as a gunman. He is quickly onto the henchman and Land Agent and eventually suspects Nixon is the big boss. But he needs the help of ventriloquist Alibi to bring them in.

Police detectives battle the League of Murdered Men, a gang of resurrected dead criminals.

U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins come upon an overturned stagecoach with the driver and the passenger dead. They learn that the passenger, Hinkley, an archaeologist, has discovered an old Indian site that contains gold relics, and a gang has robbed him of the relics he was carrying. Jane Condon, daughter of Hinkley's partner who was also murdered, tells Nevada that an old Indian guide, Shag, is the only one who knows where the site is. The outlaws find Shag first, and kill him after forcing the information from him. Hinkley's son, Joel, arrives and knows where the site is and leads Nevada and Sandy there ahead of the outlaws.

Smokin' guns, swingin' fists, and a lovable side-kick can be found in this western.

After Slip is drafted into the Marines, the rest of the gang volunteers so they can be with him. Sach discovers that the colonel knew his father and he is promoted. During a drill that he is putting the rest of the gang through, they find a soldier left for dead on the side of the road. Slip discovers a playing card next to the marine and traces it to Jolly Joe Johnson's gambling house. They suspect that the gambling house is cheating and set out to uncover the proof.

Arizona Ranger Larry Grant is posing as an outlaw while hunting for an outlaw gang, secretly led by Lance Corbin, that is stealing silver in Mexico and smelting it into bars for sale in the United States.

Outlaws attempting to kidnap Steve Blaine from a stagecoach are ran off by the sharpshooting of his sister, Sally and rescuers Jimmy Wakely and Cannonball Taylor. Steve is investigating his father's sudden death after charges of theft from the Sloan/Carson mine. Sloan is killed after Wakely learns that ore is being smuggled across the Mexican border into the mine, and then sold at the higher U.S. prices

After Billy Jack in sentenced to four years in prison for the "involuntary manslaughter" of the first film, the Freedom School expands and flourishes under the guidance of Jean Roberts. The utopian existence of the school is characterized by everything ranging from "yoga sports" to muckracking journalism. The diverse student population airs scathing political exposes on their privately owned television station. The narrow-minded townspeople have different ideas about their brand of liberalism. Billy Jack is released and things heat up for the school. Students are threatened and abused and the Native Americans in the neighboring village are taunted and mistreated. After Billy Jack undergoes a vision quest, the governor and the police plot to permanently put an end to their liberal shenanigans, leaving it up to Billy Jack to save the day.

The Cisco Kid is a half-hour American Western television series starring Duncan Renaldo in the title role, The Cisco Kid, and Leo Carrillo as the jovial sidekick, Pancho. Cisco and Pancho were technically desperados, wanted for unspecified crimes, but instead viewed by the poor as Robin Hood figures who assisted the downtrodden when law enforcement officers proved corrupt or unwilling to help. It was also the first television series to be filmed in color, although few viewers saw it in color until the 1960s.