Newton Prado

A knight, half soldier, half gaudério, dolphinfish hair in the sun, guitar on his back, enters the sleepy town of Santa Fe. Nobody could imagine that this man was also getting into their lives. Singing and drinking was winning the hearts of women and admiration of men. A storyteller of adventures, wars or lies? Based on the book by Erico Verissimo.

An anguished university student in his early 30's ponders the state of his life in light of his relationships with a politicized classmate, a TV actress selling the image of a femme fatale and his bourgeois sister.

Feature film that brings together three episodes. In "The Signature", a worthless husband tries to rip out his wife's signature to close a deal. "The roof" shows the hardships of a workman who suspects that his wife is dating a trucker. In "The Recipe" a civil servant brags about himself to his friends while his wife goes out with a student.

Márcia discovers that her husband is having an affair and decides to take a trip out into an isolated part of Brazil with little human contact. There she finds a black stallion roaming the fields.

Neglected wife tells husband about mysterious deaths occurred by the influence of Iemanjá, Afro-Brazilian deity, goddess of the waters

Divided into three episodes based on stories by Stanislaw Ponte Preta (Sérgio Porto), the film portrays three young people from Rio de Janeiro: a furious lover, a beautiful beachgoer, and a former beauty queen. All live in profound solitude amid the apparent social vibrancy of Copacabana.

Elisa is a journalist who becomes romantically involved with Hugo, a director of the company Jota Mineração, when she receives an order to write a story about the company. However, the relationship between the two begins to destabilize when the company that Hugo runs begins to extract gold from indigenous lands.

Two friends live without knowing a most awkward situation: each one is the lover of the other's wife. Jealous, they hire the same private eye to track their women, who, of course, gets very embarassed by the situation, especially when the two couples rent rooms at the same hotel.

Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

The plot revolves around a love triangle between Rosemere, Rafaela, and Herbet Alvaray. They are unaware of the same man's presence in their lives and, due to fate, become friends.

The big shot Albert returns after three years, reuniting with his family — his parents and his sister. And he gets in touch with some acquaintances, such as his old friend Vitório and a decadent high society woman. And once again Albert, the Rockefeller gets involved with millionaires and opportunists.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

The story takes place in São Paulo, in the late 1920s, and has Mariano's memories as its starting point. Orphaned, he loses the aunt who raised him and ends up in Madame Iara's brothel, where he meets two people who transform his life: Esmeraldo, a gigolo who loves the good life who becomes his master; and the prostitute Guadalupe, known as Lu, a sweet and extremely sensual woman. Esmeraldo is Lu's boyfriend, whom he loves unconditionally. Mariano enters the couple's lives and ends up falling in love with her, thus forming the love triangle that drives the entire narrative.

The miniseries is set in the late 1920s and tells the story of traveling salesman Quequé, who maintains three families in different fictional cities in the Northeast. Eleuzinha, from Nova União, in Pernambuco, is her husband's inseparable companion, with whom she has four children: Iraíldes, Maninho, Laide and Lili. It is with Eleuzinha that Quequé feels at ease, exercising his more liberal side.