Lola Lemos

Pablo is a twenty-year-old man who wants to be a musician in order to be appreciated by his mother and find a male partner he can share his love with. He finds one, but because of his demanding behaviour, he is soon alone again. He tries to become a French horn player in the Youth Spain National Orchestra, but the examiner turns out to be his father, who's been living apart from his family and doesn't really accept Pablo's sexual trends. Once Pablo fails in his exam, he feels very depressed. When another French horn player from Valencia hasn't got a place to sleep, Pablo takes him home to his house. The next morning, however, he finds a girl named Salome inside of his bed.

The driver Antonio, boasts of his sons: John, who shares his work as a taxi driver, Luisa, ladies hairdresser, Antonito, studying to be a lawyer, and Paloma, to be a housewife. But Antonio does not know that their children are not exactly as he thinks. The day Antonio finds out, confronts his wife and children and suffers a big disappointment. Since then no one in the family speaks to Antonio, and he believes that it is best to let them see for themselves that they made a mistake, but this does not result, since each will see their problems increased.

Lorenzo is a handsome, intelligent, charming, elegant and liberal man. All he asks for is total devotion. And Margarita, foolishly, falls in love with him…

Peter is a widower who writes crime novels, signing as Peter P. Peter, and is about to marry Beatriz (Analia Gade), a widow who proves to be a ruthless woman who makes his life miserable. As an expert in inventing crimes committed by his characters, he imagines a plan to get rid of his new wife. The trouble is that she also plans to kill him.

Madrid, Spain. When a religious community running an orphanage buys a car, the vivacious and intrepid Sister Tomasa accepts the task of getting behind the wheel.

The brain of a male engineer is transplanted into a female’s body. He soon finds it very frustrating to cope with the daily sexist discrimination most women deal with. For example, he is surprised when no one will hire a female engineer. When he is faced with dealing with female sexuality, he quickly begins exhibiting lesbian tendencies.

A small village in Navarre, Spain, XVII century. Garazi's grandmother is burned at the stake when accussed of being a witch and convicted by an inquisitor, something that brings Garazi under suspicion and eventually into prison, where she is atrociously tortured and humiliated.

Zorrita Martínez is the stage name of Lydia Martínez, a Venezuelan artist based in Spain. Zorrita, however, runs into an unexpected problem: she cannot stay in the country any longer if she does not marry a man of Spanish nationality.

Sebastian (Alfredo Landa), dressmaker of great prestige, is aware of the boredom that produces sexual routine with his wife. Is then made with a good amount of erotic material, including books and magazines and catching up on what is current in the sexual aspects. His wife, alarmed at the new attitude of Sebastian, there is even the possibility to enter. Sebastian, determined to modernize the extreme, organize a parade with new models essentially erotic.

A gypsy girl, when her grandmother dies, goes in search of his mother who abandoned her as a baby

Carlos, a reckless card player burdened by debt, becomes involved in a shady affair when an old flame asks him to return a necklace he has pawned.

Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.

The Eternal Spain, birthplace of the Cid, Hammer of Heretics... and other deserved historical appellations, is suddenly transformed, through democratic elections, in a chaotic Tower of Babel where every province, every town, each village wants to have its own opinion. Comedy about the rise of nacionalism in the different Spanish regions with the arrival of democracy.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

Sister Angela and Sister Mary park his van in front of a bank branch. They enter the bank and with the weapons hidden under their habits, commit the robbery of the century, to the astonishment of all employees and customers. After thorough police investigation the two nuns are arrested, but then appears Trini, twin sister of one of them and now all is not so clear. Were the nuns who committed the robbery?

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez

Tales of terror by established authors such as Ray Bradbury or Edgar Allan Poe, as well as original scripts.

¡Ay, Señor, Señor! was a 26-episode Spanish television sitcom transmitted by Antena 3 between 1994 and 1995. It tells of the adventures of a modern, open-minded priest, portrayed by the actor Andrés Pajares. The series kick-started several acting careers, including those of Javier Cámara and Neus Asensi. The singer Massiel starred in four episodes and Paloma Cela in nine, with many other actors and actresses making regular or guest appearances.