Juan Rulfo

A man searches for his father, Pedro Páramo, in a town doomed by violence and the fury of a frustrated love.

Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister town, inhabited by mysterious voices and whispers…

A poor, but very lucky man in the cock fighting business, is hired by a rich man, but both are in love with the same woman.

When a young boy steals billiard balls from a local saloon, a stranger is charged with the crime. The local layabouts find there is no reason to hang out at the bar without being able to shoot pool, and the boy entertains thoughts of forming a gang to steal more billiard balls in hopes of making money.

Poor Dionisio finds himself as recipient of the good fortune, but soon he forgets that everything that goes up also has to go down, and that in the depressing nothingness of his town it is easy to die.

An experimental film in which time breaks again and again at the moment of death, where the seconds become whole lives condemned.

When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…

Carrying his son on his back, a man travels from place to place looking for a doctor to treat the sick boy. As they journey, the indio father tells the boy stories to keep him distracted. These stories reveal the life of native peoples in Mexico, both in the countryside and in cities, and they shed light on characteristic beliefs and rituals.

A cinematographic essay, full of surreal moments and provocative scenarios related to intellectual debates about the Mexican national character.

"Faith-healer" develops a cult-like following in 1920s Jalisco.

A young peasant farmer has a feud with a heartless landowner which results in the landowner killing the peasant's cattle which result in the peasant killing the landowner which for the man goes in to hiding for more than 40 years, hounded by the murdered landowner's son obsessed with finding his father's killer.

The third film version of the popular Mexican novel, about a wayfarer who travels to a mysterious arid village, to meet the father who long ago abandoned his wife.

Paloma is a young blonde indigenous woman who arrives in a coastal town and goes to the local cantina to murder Danilo Zeta in cold blood. But the young woman is captured and, upon being tried in the public square of Puerto San José, she refuses to speak. In prison, after giving birth to a child, Judge Justo and her wife Amalia encourage her to tell them her past.

In 1940's Mexico, a meeting between a man and a prostitute leads to an unusual relationship.

Produced on a grand scale, the Mexican Talpa relates the simple story of two brothers. The older of the siblings, Tanilo (Victor Manuel Mendoza) is a well-to-do family man; the other, Estaban (Jamie Fernandez), is one step above a wastrel. When Tanilo is felled by illness, Estaban is forced to take over the family's blacksmith business. He also inaugurates a romance with Tanilo's attractive young wife Juana (Lilia Prado). Punishment is eventually doled out in a manner which suggests that God Himself is exacting retribution on the adulterous couple. Originally released at 87 minutes, Talpa was pared down to 73 minutes for American consumption.

Adaptation of Juan Rulfo's classic short tale "La herencia de Matilde Arcángel". Tranquilino Herrera, a man of the time of the Mexican Revolution, tells the story of her beloved, Matilde Arcangel, who was stolen from him by his boss, from whom he gives birth a child.

A man is on the run after taking revenge on his brother murder, but someone goes after him too

The story of a passionate love between La Caponera, a palenque singer, and possessor of a gift that gives luck to the man who accompanies her, and Dionisio, a strange and introverted town crier, as they wander from fair to fair through the center of the country.