Georges Hatot

Scene of the last supper.

Nero, seated on a throne, has slaves summoned. Each drinks poison and dies, the second even though he can see the corpse of his predecessor.

This reconstruction refers to a meeting that allegedly took place on 25 November 1804 at Fontainebleau between Pope Pius VII and Napoleon to discuss the coronation.

With contraband strapped to the backs of their dogs, smugglers set off to cross the Spanish-French border. Having been spied upon and betrayed to customs officers, a fierce skirmish results and only the dogs and a single smuggler reach their destination.

This one is modelled on the painting by Paul Delaroche and is an extension of the stage act known as “tableau vivant”.

A hypnotist tricks his patients. There is no credited director for this film, although three different persons get attributed, Gaston Breteau, Alice Guy or Georges Hatot.

Staged assassination from the Lumiere company.

The Lumière catalog sold this title as 13 individual, one-scene films, allowing exhibitors to choose which films they wanted to purchase and how to arrange them in their programs. Lumière catalog no. 933 through 945.

This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul Marat--who has the notorious distinction of having influenced the Reign of Terror.

Félicien Trewey mimes Pierrot being harassed in his sleep by a fly.

One minute costume drama from the Lumiere company.

A young and pretty but indiscreet girl employs her spare time in trying to find out what is going on in the different rooms of a Turkish bath.

The scene depicts the well-known episode depicted in a famous painting. Two groups of soldiers follow each other into the room and open fire. A grenade explodes. One of the men falls, wounded. The famous painting in question is by Alphonse de Neuville (1873), entitled Les Dernières Cartouches (The Last Cartridges), depicting one of the most glorious episodes of the day at Bazeilles (September 1, 1870), the defense of the Bourgerie house by a group of French soldiers and officers, led by Commander Lambert and Captain Aubert. There is another unlisted version of this subject in which an intrusive spectator can be seen at the top of the painting.

An illusionist makes a woman disappear in thin air. There is no credited director for this film, although three different persons get attributed, Gaston Breteau, Alice Guy or Georges Hatot.