Ana Mariscal

A Spanish music hall performer gets caught up in espionage during the First World War.

The troubled story of the Churruca family, a noble lineage of brave seamen, descendants of Cosme Damián Churruca, the Spanish hero of the Battle of Trafalgar; from the Spanish-American War (1898) to the end of the Spanish Civil War (1936-39). (In 1950, a new cut of the film was released with less ideological depth and ten minutes shorter.)

Alegría meets a famous bullfighter and they fall in love. But Mari Paz, the bullfighter’s girlfriend, devises a scheme to break up their romance.​​​​​​​​​​​​​​​​

The sailor Quico Carola, alleged war hero of the Francoist side, emigrated to America and amassed a great fortune. Fifteen years later he returns to Ferrera (Asturias), his homeland, in search of a wife who makes him forget his late girlfriend. There he will see his old friends and Armandina, the widow of a Republican shot during the Spanish civil war.

The troubling attraction of a young decorator, Agnès, on a small Spanish island, for a man everyone distrusts, whose wife has mysteriously disappeared.

Juan is a veteran workshop instructor with no formal education, but a lifetime of practical experience working on aircraft engines alongside engineers. His company sends him from Madrid to train at the Universidad Laboral in Córdoba. There, the master craftsman takes a young student under his wing. Disheartened by how poorly his first exams went, he considers giving up. But Juan advises him not to and helps him in every way he can. The two become friends, but one day the young man discovers the real reason behind Juan’s interest.

On New Year's Eve 1899, Soledad is peddling violets in a Madrid busy street when she meets aristocrat Fernando. The couple falls in love but their different social backgrounds threatens the relationship. Fernando is under constant pressure from his older brother Alfonso who reminds him of his duties including his engagement to Magdalena, a countess. Disregarding all social conventions and scandalizing high society, Fernando sets up Soledad in a plush apartment and announces their marriage plans.

In the biography of John of Austria the Spanish hero of Flanders, brother of Philip II, as an argument, the tape is a praise of Spain Emperor Charles V and the values ​​of Franco.

When a concert pianist is crippled in a car accident, his wife turns to gambling and gets in over her head.

Rafael is an aspiring bullfighter who seems more interested in the world of song. However, his father, Mr. Manuel, a good man although somewhat stubborn, will do everything possible to dress himself up. This will lead to a confrontation between father and son.

Emilia Bonelli is an overly ambitious and driven woman. This dominant personality trait has its effects on her henpecked husband Luigi, and her daughter Carla. Circumstances ultimately lead to the courtroom and an aloof judge in the persona of Andrea Morandi.

Trini, a gipsy girl, and her uncle Regalito are tried for the theft of several hams. Some time later, she presents herself, disguised as a maid, at the house of her former prosecutor, who ends up falling in love with her.

A married couple with three daughters abandons the idea of divorce when a supposed son of the husband appears.

As every year, the happy marriage of Luis and Isabel wakes up ready to celebrate her onomastics her and that of her daughter, unaware that the day reserves a tragic twist in the destiny of their lives, because the girl dies in a fatal accident. The impression is so strong that Isabel becomes mad until the point of being confined in a sanatorium. And looking for her health, the doctor forbids Luis to see his wife. He can only get news from her via Emilia, the young nurse who cares for Isabel.

Shortly before leaving his small town to go to the big city to study, young Daniel recalls his childhood, surrounded by family and friends.

Filmed during Ana Mariscal's tour of various locations in the north of the peninsula to present her first feature film, "Segundo López, aventurero urbano", shows a day in the life of the city of Santiago de Compostela, with special attention to a liturgy celebrated in its cathedral and following its very young and wild altar boy, although also showing part of the daily practice of a disenchanted Pharmacy student and configuring the physiognomy of a city marked by rain, the University and the power of the Catholic Church.