Marília Hughes Guerreiro

Two young artists leave the capital to see an old ritual that depicts the runaway slaves, in the interior of Brazil. There, they are involved with the celebration in an unexpected way.

A small-scale romantic love story, shot with a digital camera in black & white and in a documentary style. We follow the conversation between two lovers, each on a different side of the world; he is in Recife, she is in Kyiv. On one side is dark, on the other light, but both experience the same emotions and hence feel nearness and contact.

Salvador, 1984. After twenty years of dictatorship, people go to the streets to ask for general elections. This will be a year of transformations for the country and the young Caio.

Pilão Arcado was a Brazilian city. Dona Pequenita never left the place where she was born. From a past submerged by the waters of the dam what remains are words, songs, ruins loaded with memories.

In the 70s, a dam and a hydroelectric plant were built in Sobradinho. The government at the time, which was commanded by the military regime, thought that that small town, in the northeast hinterland, would be ideal for the construction, because there would be no resistance from the locals. So, 73.000 people were displaced - it is one of the biggest forced migrations in the history of Brazil. Four cities and dozens of villages submerged. Mrs. Pequenita was the only inhabitant to ever return; there, she lives in a ghost town. She receives the visit of three social agents, who own old videos and photos of the region.

Tião, 5 years old, seeks to understand the events involving his family at that time. Including his mother's illness that takes her away from him.

In Serra do Ramalho, in the drylands of Bahia, Milla, Gilmar and Igor will form an unconventional family that shuns convention and instead embraces love in all its dazzling iterations.