Sara Serraiocco

The first part of a two-part sequel to The Passion of the Christ. Plot TBA.

In the last days of the Second World War, a deserting soldier disrupts a tranquil and isolated mountain community. For one family, his arrival brings excitement and romance, but tragedy lies in wait.

1976, Aldo, an explosives expert, is exiled to Italy after mining protests. There he meets Luciana, an anarchist doctor who offers to reunite him with his family, but only if he takes up his old trade: making bombs for revolutionaries.

Milan, Italy, 1967. Santo Russo, a boy of Calabrian origin, arrives north with his parents and younger brother to find better living conditions. Due to an absurd misunderstanding and his father's contempt, Santo ends up in prison, where he gets a “true education.” In 1978, he and his friends Slim and Mario embark on a 15-year criminal career, a successful and ruthless spiral of robberies, kidnappings, murders and heroin smuggling.

Salvo, a ruthless Sicilian Mafia hit man, changes his priorities after being involved in a bloody ambush.

The second part of a two-part sequel to The Passion of the Christ. Plot TBA.

Simone Segre, a renowned surgeon of Jewish origins, lives in a city in the north-east of Italy. A quiet life, an elegant apartment and no connection with his past. One day he finds himself assisting a man victim of a hit and run accident. But when he discovers a nazi tattoo on his chest, Simone abandons him to his destiny. Filled with guilt, he ends up tracing the man’s family: Marica, the eldest daughter; Marcello, a teenager plagued with racial hate; and little Paolo. The night will come when Marica knocks at Simone’s door and unknowingly asks for payback.

In the exact moment they hit rock bottom, four strangers are visited by a mysterious man who gifts them a week to see how the world would be without them.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

1936, in the aftermath of the Ethiopian occupation by Fascist Italy, under the incredulous gaze of the inhabitants of the small town in the Italian province Abraham Imirrù, an ethiopian prince and guerrila fighter is being held prisoner in the local Podesta garden's aviary. But for little Emilio, local recently force enlisted and reality-dissociated Balilla, he is Sandokan, the literal Salgari's character ...and he will be his hero.

Una Giacca (a Jacket), the short film created for the first edition of Armani/Laboratorio, is the result of an intensive workshop dedicated to film students. Nine exceptional mentors selected the students and guided them throughout the process, from theoretical and practical lessons to the shooting and final editing of the short film. This work explores Giorgio Armani’s iconic garment through a blend of black-and-white and colour, in which the past overlaps with the present.

Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.

Antonio has spent his whole life away from Italy, his home country. He crosses paths with Leo, a young Italian artist who is trying to make it abroad. The old man and the young woman's destinies mirror each other. Memories from the past are awoken and end up offering a more peaceful future to the both of them.

Four physically disabled lowlifes plot the perfect heist, but things go south when each reveals an agenda of their own.

Adele, a twenty-five year old girl who suffers from mental disorder, has never met her father and has always lived under the protective wing of her mother Margherita. Everything changes when her very existence is overturned by the latter’s sudden and unexpected death.

Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.

Giulia’s is a poised world, made of rigour and sacred texts, which fiercely excludes those who do not belong to it. Libero's world is the world of all the others, of those who make mistakes, who fend for themselves looking for another chance and who love unconditionally. When Giulia meets Libero, she realizes she can have another destiny, one she will have to choose and build.

Gian, a 65-year-old ethnomusicology professor, fights the darkness caused by the sudden onset of amnesia. Flashes of the past, that blend with hazy archive footage, haunt his mind like a phantasmagoria of images. Despairing, Gian tries to end things, but he fails. In the aftermath, Miriam, the daughter he does not recognize, moves into his apartment with her son Elyas. She helps him find a diary written into his twenties that revolves around Leila, a girl with whom he discovers love in the space of one night. This emotion exacerbates Gian’s pain but pushes him to recover his memory.

Seventeen-year-old Jenny dreams of becoming a synchronized swimmer. Family events turn her life upside down and she is forced move to a remote area to look after her ill father and younger brother. It won't be long before Jenny starts pursuing her dreams again.

Cagliari in the 1940s is a big city for those who come from a small village. Annetta arrives in the days befpre Italy enters WWII and the Allies begin bombing the city. She's a 25-year old woman, always dressed in black, solitary and quiet, typical of the beauty of those from the most sparse areas of Sardegna.

Frustrated with their lack of upward mobility, some young Italians move to Cuba to start a wi-fi café and attempt to build a new life.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

A short movie about coming back to the cinema after lockdowns.

45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.

Howard Silk is a lowly cog in a bureaucratic UN agency who is turning the last corner of a life filled with regret when he discovers the agency he works for is guarding a secret: a crossing to a parallel dimension.

Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.