Polidor

Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.

Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.

A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.

Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera. It was filmed in two versions, French and Italian, with the same screen cast but some different crew, and with Italian voices dubbed in on the Italian version, which have been munged together at IMDb. A third version, with English dubbed under the direction of British actor Noel Howlett, was made subsequently using one of the two (French or Italian) originals for the visual source.

Carpenter Geppetto carves a block of wood into a puppet and names him Pinocchio. As soon as his feet have been made, Pinocchio runs out the door and a series of adventures begins.

For the 17-year-old Mariza, there is no other house than the train station in Civitavecchia. Here, an orphaned girl lives early after the death of her father, a railwayman; here she earns additionally at the station buffet, selling ice cream to passengers of passing trains. Beautiful and brisk, she was accustomed to the admiration of others and perfectly mastered the art of coquetry, but Marise’s heart remains calm until the young sailor Angelo, who is in a hurry on her first voyage, leaves the train on the platform on a sunny Sunday morning.

Astrea plays an adventurous princess who roams the world in the service of justice, supported by her humorous sidekick Birillo (Ferdinand Guillaume). She takes up the cause of two young nobles, Michele and Jole, who have been dispossessed by the unscrupulous baron Max. With her bare fists, she eliminates six shifty circus people sent by Max. “Remarkable stunts, of which a professional strong-woman of Houdini- like prowess is the protagonist, are the outstanding feature of this unusual and entertaining thrill-film, whilst the amazing sensations are pleasantly relieved by a vein of irresistible comedy (“The Bioscope”, 1 April 1920).