Thomas Badek

A "three people relationship" with a pact involving a terrible past. The pact concerns France, Anne and Pierre.

It is due to some professional obligations that brothers Charles and Fredi turn their attention to theater. Charles, an actor does not want Fredi to write a book on him.

A young French man (Philippe Garziano) bicycles across town after an evening out to spend the night with his boyfriend.

A very interesting thriller about the coming of age of a troubled young man searching his place in this world. Teenage boy Jonathan (Fabien de Marchi) is having a hard time living with his father and stepmother. On a whim, he steals some money and embarks on a journey of forbidden pleasures. He spends the night in abandoned building and wakes up bound and is held prisoner by Antoine (Johan Libéreau), a young drug dealer wanted by the police. The two boys forge an ambiguous relationship between violence, compassion and fascination. Victim, Jonathan ends up taking a liking to his tormentor.

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

Few of the characteristics that can be associated with Jean Paul Civyrac can be seen in his first film, a 14 minute short feature. Inevitably, considering its short length, the film is necessarily very much a character study, since there is little room to develop much in the way of a plot. Luc (Jean Descanvelle) is a young man who is determined to do things his own way and consequently conflicts with everyone he meets. He doesn’t give a damn what anyone thinks, isn’t interested in any advice they might have to give and is not interested in assistance from friends or family. He is going to do things his way, and do whatever it takes to make money, which is mainly performing sexual favours for any man who is willing to pay for it.

The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…