Álvaro Henríquez

In Santiago, Chile, the schoolteacher Luisa proposes a debate about sex with the parents of her students with the intention of giving classes about sex education to the youngsters.

Documentary that records the last days of the Chilean group Los Tres. Its record focuses on 3 different dates and two different places: March 17 and 18, 2000, in La Batuta located in Ñuñoa, Santiago and May 19, 2001 at the Teatro Concepción located in Concepción. The documentary includes reflections from the band members on their 14-year career. The DVD includes some of the group's video clips and a Making-Off of the Video Clip "The Response".

Journalistic investigation that exposes unknown details of the air mission that bombed the Chilean presidential house of La Moneda in 1973.

It tells the story of Roberto Parra Sandoval, creator of the cueca chora and chronicler of Buenos Aires' bohemian scene. A guide boy and stowaway on freight trains, he forges a life in the brothels and bars of Valparaíso and Santiago, bringing the music of the working-class neighborhoods to life. His world changes radically when he meets Negra Ester, a fascinating and contradictory woman who plunges him into a passionate and heartbreaking love. Together they will experience a story that beats to the rhythm of the cueca brava, amid laughter, hurt, and disappointment, in the heart of a marginal, luminous, and painful Chile.

Chilean band Los Tres and the Ballet of Santiago de Chile together in a performance by Eduardo Yedro.

A young and excentric radio DJ airs a successful program in which diverse calls come in from anonymous listeners, who reveal their love stories, all charged with mix-ups, disputes and passion.

A small house is devastated by the irrepressible force of the Ñuble river. Anita is rescued from the riverbank while her parents disappear into the water. She is given in adoption to her godparents, who can not keep her, they turn her over to a large hacienda in the area, where the little one will be the companion of the sickly patron, Lucia. When the owner of the hacienda dies, Anita, disregarding the advice of the other servants, stays to serve the boss, Don Pablo. She is already a woman and he is a single man. A strong attraction emerges between the two. This sad story of love and revenge as strong and uncontrollable as the overflowing waters of the Ñuble River.

It portrays the life of a transsexual named Moisés, who filled Chile with glamor during the years of the dictatorship. This is a film that was born under the wing of multidisciplinary artistic days united in the concept "Bobe Al Camp Troupe". Under that name, hours of artistic discussion took place between Bobe himself, his brother Andrés -the former musician of "La Ley"-, Álvaro Henríquez, Javiera Parra, Candy Dubois, and many other representatives of the bohemian and Santiago artistic spree of late from the '80s, who also participate in the film's soundtrack.