Ita Rina

About the booming of smuggling alcohol across the Baltic Sea between Estonia and the neighboring and alcohol prohibited Finland. Fiery love relationships are another theme of the film.

Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.

Andrea, the beautiful daughter of a railway gateman, is seduced by a rich passenger, who missed his train. Left pregnant, Andrea marries another man and moves to Prague, only to encounter her former lover and recover her former lust.

At a church in the country, eternally optimistic John marries Maria, his Atomic War Bride, as a war starts, planes buzz overhead and bombs start dropping. Though John is "mobilized" by the military seconds after the ceremony, he and Maria seek to be reunited.

The impressive cast is headed by the great Heinrich George as Boris Stroganoff, an opera composer and conductor who’s also a notorious lothario. Albani is ballet dancer Viola Suroff, who’s put her career aside to look after her partner Maxim Sadi, a baritone with unspecified health issues that have kept him off stage. Stroganoff sets his sights on Viola and offers her a job in the corps de ballet for his new opera The Boyar, which she accepts provided Maxim is also hired. However, dancer Margot (called Myrra in the French version) maintains a seething passion for Stroganoff, as does Countess Geschow (called Countess Ziska on this print), both of whom are resentful when watching his interactions with Viola. Jealousies run high on opening night between all the characters and Stroganoff is shot mid-performance, but who is the killer: Maxim, Margot, or Geschow?I

Melodramatic story of an innocent country girl (Ita Rina) who struggles to make a living in the city as a prostitute. As she provides last service to a murderer sentenced to death (Josef Rovenský), society condemns her and leads her to despair. This groundbreaking film directed by Karel Anton was made in 1930 as the first Czech feature movie with post-synchronised soundtrack, recorded in France. International star cast, sensitive adaptation of Egon Erwin Kisch’s short story and innovative combination of silent and sound film features make this movie an artwork of European significance.

What the children conceal from their parents. Banned at first in Europe. Released in the U.S.