Jean-Marie Téno

Cameroonian filmmaker Jean-Marie Téno profiles a poor but lively neighborhood in the capital of Burkina Faso, where a cine club proprietor tries to include Burkinabe films among the action and Bollywood fare.

Proud and determined, the hunter set out, leaving behind his village ravaged by a terrible drought. All the villagers came out to wish him well, and everyone gave what he could: an egg, a handful of peanuts or a few kola nuts... As in the folktale, Sobgui, a former computer programmer who now drives a "clando" cab in Douala, flees to Europe to escape a life in Cameroon which has become unbearable. In Cologne (Germany), Sobgui joins a community of African emigrants. Most are hard-working and ambitious people. Sobgui begins a love affair with Madeleine, a German political activist who encourages Sobgui and his friends to return home and fight for change.

Filmmaker Jean-Marie Téno pays tribute to his late father.

The story of a young man who needs an uncooperative public servant's signature to enter college, Mister Foot is a light-hearted look at Cameroon's national obsession: soccer. During a period of social unrest in 1990, an informal truce was called so that fans on both sides could follow their national team, the Indomitable Lions, in the World Cup tournament.

Documentarian Jean-Marie Teno -- originally from Cameroon but now living in France -- explores the sad state of human rights in his native land as Cameroon struggles against political corruption towards something resembling democracy in Chef!. As the film opens, Teno examines a pro-government rally in Bandjourn where a young man was nearly killed by a mob for stealing chickens. As we look deeper into "justice" in Cameroon, we discover vigilante murder is commonplace; wife beating is tolerated by the law; freedom of the press does not exist; those who violate the many "laws" on the books are faced with inhuman prison conditions; and bribery is the most common method of dealing with the authorities. While activists continue to battle for justice and peace, Chef! makes clear that the road before them is long and steep.

Me Broni Ba is a lyrical portrait of hair salons in Kumasi, Ghana. The tangled legacy of European colonialism in Africa is evoked through images of women practicing hair braiding on discarded white baby dolls from the West. The film unfolds through a series of vignettes, set against a child's story of migrating from Ghana to the United States. The film uncovers the meaning behind the Akan term of endearment, me broni ba, which means “my white baby.”

Cameroonian filmmaker Jean-Marie Teno directs this impassioned documentary about the slow crumbling of traditional morals and values caused by colonialism and globalization. The film traces Teno's journey from his base in France to Cameroon's capital Yaounde to his hometown of Mbieng. In the process, he captures images of corroding infrastructures and corrupt officials.

Reflecting on the perpetuation of history's traumas, Jean-Marie Teno's latest film continues his ongoing project of documenting the impact of colonial and postcolonial politics on the lives of the people in his native Cameroon. Leaf in the Wind is both a reclaiming of forgotten chapters of Cameroonian history and a foray into the personal stories and broken lives behind the history.