Andrew Huang

This art film by Andrew Huang is a precursor to the voting segment of the formation of global girl group KATSEYE as seen in the television series Pop Star Academy: Katseye.

Björk is crouched in a womb-like Icelandic cave, throwing her body against the stones that surround her. Slowly, she starts dancing triumphantly through corridors of black volcanic rock. This MoMA-commissioned film was directed by visual guru Andrew Thomas Huang and filmed over three days in Björk’s native Iceland. In the film, her intimate, one-on-one performance embodies the grueling post-heartbreak healing process, augmented by Huang’s stunning VFX.

The Gloaming takes office space to an eerie dimension following the misfortune of a worker ensnared by his cubicle and haunted by sinister visitors during the nightshift. A tale of macabre absurdity, The Gloaming plunges this unwitting protagonist into a cycle of nightmares.

Probing the illusive boundary itself, Interstice presents the veil as a self-contained magic trick: a shapeshifting second skin loaded with potential energy to manipulate identities and temporal-spatial dimensions that would otherwise be rendered immeasurable in its absence. Interstice is an attempt to pass through the veil that obscures our collective vision to reach a space in-between. An interstitial space.

In 1960s LA, a repressed Chinese American girl joins a group of impossibly cool misfits who adopt her and challenge her to find her own voice.

Uses a three-story plot of feather-clad dancers, underwater puppet creatures and men disintegrating into sand to piece together this theoretical, visual and audio experience.

Doll Face follows a machine’s struggle to construct its own identity. The machine with a doll face mimics images presented on a television screen and ultimately self-destructs from its inability to adopt a satisfactory visage. Created in its entirety by Andy Huang, Doll Face presents a visual account of desires misplaced and identities fractured by our technological extension into the future.

A Chinese restaurant worker falls in love with an 18th century Qing dynasty god.

Primitive scenes play out in a post-apocalyptic digital purgatory.

In the tale of Nuan, a Thai woman who recalls a past life as an extinct Schomburgk deer and reclaims her agency by transforming into the luminous Nine-Coloured Deer from Buddhist mythology. Known for saving a human and escaping betrayal with divine guidance, the deer embodies moral resilience and karmic balance. Found in ancient Chinese frescoes like the Mogao Caves, the tale connects spiritual and cultural values across Asia amid ecological and urban change.