Irene Ryan

A budding young writer thinks it's her lucky day when she is chosen to be the new secretary for Owen Waterbury, famous novelist. She is soon disppointed, however, when he turns out to be an erratic, immature playboy. Opposites attract, of course, but not without sub-plots that touch on competitiveness within marriage and responsibility.

In the winter of 1938, Paris is crowded with refugees from the Nazis, who live in the black shadows of night, trying to evade deportation. One such is Dr. Ravic, who practices medicine illegally and stalks his old Nazi enemy Haake with murder in mind. One rainy night, Ravic meets Joan Madou, a kept woman cast adrift by her lover's sudden death. Against Ravic's better judgment, they become involved in a doomed affair.

Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?

A young woman, Jill Young, grew up on her father's ranch in Africa, raising a large gorilla named Joe from an infant. Years later, she brings him to Hollywood to become a star.

A sailor suffering from post-traumatic stress becomes involved with a beautiful and enigmatic seductress married to a blind painter.

A vaudeville performer returns from the dead to help his wife and daughter, who are being dominated by a greedy banker.

Nurse Nora Gilpin plans are to marry building contractor Tim McCarey and settle down. But one night a sleepwalking Nora slips into a provocative dress and goes to the home of startled lawyer John Raymond, for whom she doesn't care much during the day. She does not reveal her name and he cannot figure out where they have met, but they spend several hours together until she gets away before John notices.

Jimmy O'Brien (Robert Lowery)and Sammy Rubin (Sidney Miller), write jingle commercials for radio, and meet Mary Adams (Dona Drake), who wants to break into radio as a soloist for a band.

A music teacher in 1870s Boston works hard to succeed, while her wealthy distant relatives find their fortunes turning.

Honest Robert Maynard finds himself serving as ship's surgeon under the infamous pirate Blackbeard.

A man is mistaken by foreign agents for a defecting cosmonaut and must prove his identity while evading capture.

The title character, played by Bonita Granville, is the secretary at a boys' reformatory. Sociology professor Noah Beery Jr. shows up to study the juvenile-delinquent mindset. Not surprisingly, he ends up taking a post-grad course in amour from the winsome Ms. Granville.

Lonnie Wilson returns to small southern hometown after spending six years on the chain-gang for killing Colonel Ben Marquand's son in an automobile accident. He revives his love affair with Melinda Marquand........

A Gay-Nineties musical set in NYC's Bowery and East-Side explores the life of its inhabitants---an Irish policeman and his tap-dancing daughter and music-hall wife; a German professor of music and his singing daughter; and an Italian café-owner, a kindly priest, a struggling young doctor and a saloon-keeper. And a political ward-heeler, Terrence Dowd, who has a deceptive and dishonest plan to sell them all out in order to build a fight arena. But he meets his match in property-owner Claire Adamson.

A captain tries to keep home as tight as his ship.

A fake swami and his crooked business partner, hoping to buy the land that's targeted for a new airport, convince the property's owner that he hasn't long to live.

Eddie Tayloe's grandfather leaves him six thousand dollars and the money belt it came in, freeing Tayloe to leave his dull newspaper job in Texas and move to New York to become a playwright. Along the way, his car breaks down and a girl walking along the highway asks for a lift. It turns out she's a nice girl, named Perry, running away from a job at a gasoline station. Soon they're off to New York together, but part ways once they arrive. Time passes and Eddie is failing to sell his play; Perry is failing to find a job. Odd circumstances, involving an old pickpocket named Mandy, bring them together again.

Marjorie Main is the whole show in the Universal programmer Ricochet Romance. Playing the outspoken new cook at a rundown dude ranch, Marjorie forces everyone around her to pitch in and bring some life back into the place. She also sets her sights on old layabout Chill Wills, scheming to rope the critter into marriage. Veteran comedy director Charles W. Lamont moves the proceedings along with style, never missing an opportunity for a low-comedy slapstick turn. The most surprising aspect of Ricochet Romance is that it is not an entry in Marjorie Main's Ma and Pa Kettle series.

A spinster finally finds the right man when she returns to her alma mater after 15 years for a class reunion.

A harried daughter tries to keep her wacky family together while trying to sell her eccentric father's latest invention, a collapsible life raft.

In this musical comedy, a young singer becomes so desperate to appear on Broadway that she goes to a prominent producer and tells him that she is the daughter who resulted from his day-long marriage to a young woman he knew years ago. The producer is delighted and soon puts his daughter up on stage. The trouble begins when the girl's "mother" suddenly pays a call. For her own reasons, the woman decides to play along with the girl's ruse. Fortunately, by the story's end, the truth is revealed, all differences are reconciled and happiness ensues.

Little Iodine does her best to break up the marriage of her parents, ruin a romance and cost her father his job.

The mysterious Mrs. Eleanor Carter moves to Springville with her two teenage children Jimmy and Cathy. Eleanor makes friends with the town's social leader Mrs. Wellington, who supports her idea for a town youth center, and she is aided by Tom Griffith, the high school principal. At the town's annual picnic, to which Eleanor has bought a band, the town busy-body Eunice reveals what she had learned from Eleanor's past.

A dancer in a girlie show plots revenge when a judge orders her show closed.

An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The Bradley family are proud owners of the Shady Rest Hotel. Kate and her three young daughters do the job of running the hotel.

Jed Clampett's swamp is loaded with oil. When a wildcatter discovers the huge pool, Jed sells his land to the O.K. Oil Company and at the urging of cousin Pearl, moves his family to a 35-room mansion in Beverly Hills, California.

A widower and aeronautical engineer named Steven Douglas raises three sons with the help of his father-in-law, and later the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.

Wilbur Post and his wife Carol move into a beautiful new home. When Wilbur takes a look in his new barn, he finds that the former owner left his horse behind. This horse is no ordinary horse . . . he can talk, but only to Wilbur, which leads to all sorts of misadventures for Wilbur and his trouble-making sidekick Mister Ed.

The Real McCoys is an American situation comedy co-produced by Danny Thomas' "Marterto Productions", in association with Walter Brennan and Irving Pincus' "Westgate" company. The series aired for five seasons on the ABC-TV network from 1957 through 1962 and then for its final year on CBS from 1962 to 1963. The series, set in the San Fernando Valley of California, was filmed in Hollywood at Desilu studios.

The Dean Martin Show, also known as The Dean Martin Variety Show, is a TV variety-comedy series that ran from 1965 to 1974 for 264 episodes. It was broadcast by NBC and hosted by entertainer Dean Martin. The theme song to the series was his 1964 hit "Everybody Loves Somebody."

Alcoa Theatre is a half-hour American anthology series telecast on NBC at 9:30 pm on alternate Monday nights from October 7, 1957 to September 16, 1960. The program also aired under the title Turn of Fate, with the stories depicting the difficulties faced by individuals who are suddenly thrust into unexpected and perilous dangers. Alcoa Theatre was syndicated together with Goodyear Theatre as Award Theatre. In 1955, The Alcoa Hour premiered in a one-hour format aired on Sunday nights, but it was reduced to 30 minutes, retitled Alcoa Theatre, and moved to Monday evening in 1957. The show employed an alternating rotating company of actors: David Niven, Robert Ryan, Jane Powell, Jack Lemmon and Charles Boyer. Each appeared in dramatic and light comedic roles through the first season.

Bringing Up Buddy is an American situation comedy which aired on CBS during the 1960–1961 season.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.