Alexander Khuon

1938. While the Nazi troops march into Vienna, the lawyer Josef Bartok hastily tries to escape to the USA with his wife but is arrested by the Gestapo. Bartok remains steadfast and refuses to cooperate with the Gestapo that requires confidential information from him. Thrown into solitary confinement, Bartok is psychologically tormented for months and begins to weaken. However, when he steals an old book about chess it sets him on course to overcome the mental suffering inflicted upon him, until it becomes a dangerous obsession.

David, a waiter, finds an unpublished manuscript in a dresser drawer. To impress a girl, he claims to be the author. When the novel becomes a best-seller, the real author introduces himself and begins to take over David's life.

A German communist wrongly accused and sent to a labour camp has to keep her past life hidden for the sake of her and her family’s freedom.

Teresa und Patricia are best friends. Despite the big differences between date-experienced Teresa and romantically predisposed single-mother Patricia, they have one thing in common: they have enough of bad dates and are sick of stupid dudes, bad surprises and broken hearts. When Teresa meets the neurotic programmer Anton, who is completely inexperienced in the field of romance, they come up with a genius business idea: together with the womanizer and start-up founder Paul, they develop an app with which potential dates can be categorized. In this manner, users can paint a picture of what they're getting themselves into. However, quite quickly they find out that people can't be easily fit into boxes and that matters of the heart shouldn't be left to an algorithm...

Today is Lara’s 60th birthday, which happens to fall on the same day as her pianist son’s career-defining concert. A failed pianist herself, Lara spends the time before his performance pacing about Berlin—boiling with jealousy, nerves, and pride—trying to get hold of her elusive son.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

When Isa provokes the Nazis with a satirical song at her graduation party, she is denied her degree despite passing her exams. She has to give up her plan to become a teacher and, against her mother Petra's wishes, manages to perform in a political cabaret. She enjoys stage success as a singer with an accordion and falls in love with the pianist Laurenz. During the Second World War, Isa's family gets caught up in the wheels of political power and is torn apart - until, after much turbulence, the Vermehrens regain their old cohesion and accompany Isa together as she enters a convent in Bonn.

An African-German author loses his memory and is used by a modern National Socialist Party as a promotion-figure for more political power over Germany.