Huda Al Saify

Single coworkers at a radio station are brought together by mutual friends, but their starry-eyed notions about love may scuttle their romance.

Tito is the second installment in the new-wave Egyptian action movies. After Mafia by Sherif Arafa, which was a breakthrough in Egyptian cinema making, Tarek El-Aryan brings us Tito, the next logical step. Very simply, this movie is about an ex-con who tries to escape his sinful life by starting a new one, but his past comes back to haunt him. The reason, why Tito is better than Mafia is because the script and story line in Tito is more complex, and some of the characters had real depth in them and where fully developed throughout the movie.

The film revolves around a young man named "Abu Arabi" who works in commerce, but does not succeed. However, he wants to marry a girl called "Mahja", but her father refuses because he wants to marry his daughter to a clothing vendor.

A social romance that portrays the lives of 4 married couples who are friends. As they gather to celebrate the birthday of the daughter of one of them, their fundamental differences and their unstable marriages come to the surface as the men decide to leave for Alexandria.

A down-to-earth, struggling taxi driver (Ramzi) discovers, by sheer chance, that his country's constitution grants him a share in the nation's entire public property. He proceeds to collecting power-of-attorney documents from over 50% of the population in order to literally sell out the country so that he could get married.

The struggle of two women who face many events and the psychological and sociological aspects of being unmarried yet of marrying age in the context of an Eastern society where women are expected to be part of a man's household.

University graduate works as a school bus driver after failing to find a proper job, where he unexpectedly falls in love with a school teacher, who is the love interest of an evil businessman. Of course you don’t already know that she will be loving the "King of Generation", after all, who wouldn’t?