Prince Philip, Duke of Edinburgh

For the first time, Bentley invite cameras behind the scenes. This documentary meets the staff and the customers as it visits the factory, the showrooms and the secretive upgrades department.

Join HRH Prince William and Catherine Middleton at Westminster Abbey as they celebrate the momentous occasion of their marriage. Footage includes Catherine's breathtaking arrival at Westminster Abbey, the full ceremony, the carriage procession and the traditional balcony appearance at Buckingham Palace. Presented by Huw Edwards

Marking the Diamond Jubilee (1952-2012) of Queen Elizabeth II, Prince Charles shares his memories of the private side of his mother, the Queen, making use of his family's home movies.

2-6 March 1961 saw the Queen and Prince Philip make their first and only state visit to Iran. Their host was Mohammed Reza Pahlavi (1919-80), the Shah of Iran, who had already made an official visit to Britain in 1959.

Even the most devout monarchist may feel uncomfortable watching this film - hindsight makes this a rather poignant experience. Although clearly intended as a hymn to royal life, with a panting narration describing the bliss Charles, Anne and Andrew are experiencing (the film was made three years before the birth of Edward), the images tell a different story - only a couple of shots feature the children smiling, while the first glimpse of Andrew as a baby, a spotlight shining on his face as photographers snap away, is a faintly sinister symbol of the royals’ lack of privacy from birth. The knowledge that a future of divorce and tabloid scandal would tarnish these children's adult lives adds irony to this snapshot of supposed utopia.

Britain and Turkey had not always enjoyed the ‘special’ friendship referred to in the commentary. Their armies were on opposing sides in the First World War and there had been disagreementt over the future of Cyprus in the run up to the settlement of 1960. In the 1960s relations improved and this reciprocal tour (the President of Turkey, Cevdet Sunay, had paid a state visit to the United Kingdom in November 1967) was regarded as a milestone in the bilateral alliance between the two countries. The camera affords the viewer a prime vantage point by which to marvel at the splendour of the pageantry and contemplate every nuance of gesture and sartorial detail. As we linger on the bejewelled Queen waiting patiently at the British Embassy in Ankara to greet her guests we wonder what it might be like to be in her shoes.

Watching Sierra Leone Greets the Queen gives one a flavour of the hectic nature of royal tours; in just one week (from the 25th November to the 1st December 1961) the Queen and Prince Philip covered an exhausting array of sights, zooming around the country to take in the capital city Freetown, Bo, the Guma Dam, digging for diamonds (Sierra Leone’s biggest export), Hangha and observing the iron ore works at Marampa. The visit was politically significant - Sierra Leona had become independent from Britain in April the same year. Colonialism’s influence is felt throughout the film, and not just in the place names (Victoria Park, Queen Elizabeth II Quay) - the ‘day in the life of a Bo schoolboy’ seems not radically different from the British equivalent, while the ‘children’s rally’ consists of boys dressed impractically in boaters and blazers, and girls marching in gymslips.

The Queen and the Duke of Edinburgh undertook an official visit to the region in February 1966, as documented in this film. The destinations on this month long excursion included: British Guiana; Trinidad and Tobago; Grenada; St. Vincent; Barbados; St. Lucia; Dominica; Montserrat; Antigua; St. Kitts-Nevis-Anguilla; Tortola (Virgin Islands); the Bahamas; Jamaica. This rich and detailed Technicolor travelogue was the only film authorised by the Palace. Strict instructions were given prior to the production being given the green light, most notably that the royals could only be filmed when ‘engaged in a public function’. Unlike the more relaxed footage or interviews you might see with the royals now the film is visually very official in tone.