Gaël Kamilindi

22 minutes got Russian marine to free a hijacked oil tanker far from shore.

A chronicle of the unconditional love between a mother and her daughter, from 1958 to the present day, which is endangered by an unsteady and manipulative father.

A filmmaker's film shoot is canceled, and he sets off in search of what remains of it, elsewhere, accompanied by another actor. What they seek together is no longer just a film, but a reflection on the stories that are forbidden and those that are reclaimed. Through their exchanges, the boundary between cinema and life blurs, and the film becomes a space of intimate resistance, where thinking, desiring, and speaking are one and the same.

Lucy, a 19-year old law student and intern at a Swiss television network in Geneva, comes across her double in archival footage about the woman’s liberation movement in the 70’s. Her family’s resistance to talk about this time convinces Lucy that a secret lurks behind this mysterious woman, named Geneviève.

French-Vietnamese actress Yvonne Nguyen dreams of a successful career in musicals, to the great displeasure of her mother, who would like her to pursue a more serious path. When Yvonne has no choice but to move back home, both women are strangers to each other. But, in the intimacy of the Vietnamese family restaurant's kitchen, they grow closer. Meanwhile, Yvonne is still after her dreams and finally gets the chance to audition for a big show.

Cleo has amnesia. It's Saturday and she has to balance between preparing her romantic getaway with Gaetan and the endless video calls with her obnoxious boss. When the stress become unbearable, the fragments of a buried trauma will give this day a sense of « déjà-vu ».

With their flair for engaging storytelling and a renowned love and respect for literature and the arts, the French Boys have something for everyone. Featuring five captivating stories set among rolling hills, village squares and the rooftops of Paris - the birthplace of cinema has never looked this inviting. The short films are: Beauty Boys (2020); Freed [Baltringue] (2019); So Long, Paris! (2020); Sunset Cemetery [Extérieur crépuscule] (2020); Vincent Before Noon [Vincent avant midi] (2019).

A bittersweet comedy about how a fanciful and rebellious preteen ends up accepting her parents' divorce.

Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.

One night, an actor prepares to go on stage while a museum guard makes her rounds. The two gradually immerse themselves in these dormant institutions, on the fringes of shows and exhibitions.

Gaël was five years old when his mother, Didy, died. Memories of her have since been lost in the fury of the civil wars, genocide and AIDS that ravaged Burundi and then Rwanda, precipitating her exile to Switzerland. Thirty years on, he ventures to reopen the pages of his family history by meeting those who knew his mother.

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.

Margot has memories, black ideas that haunt her and lead her to the mountains of her childhood, to her brother Adrien. In the cold of winter, the ghost of a missing brother reappears.

New York, 1985. Against the backdrop of AIDS - divine punishment inflicted on gays according to puritan America -, angels, who epilogue on the emptiness of the American dream, cross paths with the ghost of the spy Ethel Rosenberg, separating lovers and destitute patients. Prior, suffering from the AIDS virus, loves Louis who is about to leave him. Roy Cohn, man of power, Jewish and homosexual lawyer, anti-Semite and homophobe, lives in denial of his HIV status. Harper takes refuge in drugs to soften her married life with Joe, whose uncertain sexuality clashes with well-established religious beliefs. Following the cancellation of "Angels in America"performances ​​due to the health crisis of 2020, the project became a TV movie: "Angels - Salle Escande" is shot in the privacy of rehearsals.

Clémence Alpharo, who, in order to get a permanent contract in the company that has just hired her, must push Henri Giffard, a sales representative at the end of his career, towards early retirement. But Giffard refuses. His work is the only thing that still gives meaning to his life. Caught between the prospect of a professional future that would allow her to escape her family history and the unexpected affection she feels for the salesman, Clémence must choose. A choice that will inexorably push Clémence and Henri to the limit.

Angélique is a nursery school teacher. She loves the children: other people's, of course, and those of her partner Damien, who is going through a divorce. It is then that she realizes that she has contracted a very rare allergy... to children!

In Paris of the near future, a dating app matches singles with their soul mates by mining their brain data. But decoding true love comes at a price.

Born over a century ago in the United States, stand-up comedy has conquered the world, spreading via the internet to screens everywhere. By channeling its satirical rage into new territories, it has captured the pulse of society, reflecting contemporary debates. Stand-up, as told by the professionals of the punchline: Blanche Gardin, Haroun, Hannah Gadsby, and many others.