Ion Vâlcu

A young prosecutor refuses to take the easy way out of an investigation that involves a young man.

In WWI a group of Romanian soldiers from Transylvania desert the german army and consitute a resistance commando group.

Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.

This movie retells the story of a revenge that sweeps over the social and political events of the '40s. Because they sent her son to war and he never came back, his tough mother, Ecaterina Handraburu, decides to have her revenge on those who plotted to leave her heirless and grab her possessions.

Hristea, a surgeon, spends his holidays at the seaside. While on the beach his belongings are stolen. The surgeon tells the policeman that the thief is a young man he had seen nearby. Although the accused doesn't admit to the wrongdoing, Hristea insists he should be punished. His obstinance will affect his marriage with his beautiful wife.

Traumatized by the loss of his wife, Vasile, an engineer, joins a new work collective in the provinces, at the ARO factory. Saddened by his loneliness, Cristina overcomes his resistance by becoming close to his little boy.

Young Moldovan nobles try to overthrow King Mihail Sturdza. They plot an assassination and spread flyers. On this backdrop, there is a romance story between Franz Liszt, in tournament, and one of the noblemen's daughter, who is close to the plotters.

In 1919, young Doctor Poenaru is sent to be the director at a country hospital. On his way there he meets a formar army comrade, now a lawyer. An ideological and philosophical dispute ensues, the two following different paths in life.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.