Sarrah Abdelrahman

The Stories is a decades-spanning Egyptian family saga and love story set between the late 1960s and 1980s. The film follows Ahmed, a young man from a Middle-Class Cairo family who dreams of becoming a concert pianist. During the tense summer of 1967, as war looms over Egypt, he begins a pen-pal correspondence with an Austrian woman named Elizabeth (“Liz”). A semi-autobiographical film based on the director's parents and how they met.

A sequel to The Treasure (Part 1) - Reality & Fantasy (2017) The movie resumes with the stories of Hatsheput in the Pharaonic era, Ali al-Zaibaq during the Ottoman era and Beshr al-Katatini, head of State Security Investigations Service, who faces new challenges in work and love, whilst pointing his son, Hassan, towards a treasure through his recorded will.

On his way to a DJ Championship in Brussels, a young Egyptian is mistaken for an illegal immigrant and detained in a country he's never heard of before.

A man finds himself stuck in a mysterious time loop, reliving the same day again and again. As the cycle repeats, he is forced to confront his daily routines, question his relationships, and search for meaning in a world that refuses to change.

Him – Her – and what’s in between. A short experimental silent fiction film shot entirely on 16mm BW and colour film made in the tradition of classic silent-era filmmaking.

Al Sowan is an Egyptian play written and directed by French theatre-maker Pascal Rambert and translated by actress, director, and drama critic Menha El Batrawy. This is Rambert’s first Egyptian play, written especially for the local audience at D-CAF – where it is set to make its World Premiere. The play brings together a dazzling cast, starring actors Magdy Atwan, Noha El Kholy, Nanda Mohammad, Mohamed Hatem, Raafat El Bayoumi, Sarrah Abdelrahman, Ahmed Malek, Laila Ghoneim, Marwan El Gabalawy and Yehia Hussein.

The work revolves around a comedic framework about (Hassan) and (Ismail), two cousins, where an old traditional struggle takes place between them to prove the superiority of one over the other through several comedic situations until they discover in the end that the real gain is family and mutual love.

Alaa Deek is a bank employee who belongs to an ancient family, but he hates women from childhood and avoids any dealings with his family. When he and his family travel to Nile, all the family members die, and now he has to take full responsibility for his family's affairs. They are all just women, since he is the only man in the family.