Mark Sawicki

A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding.

After watching their respective partners die, a cop and a hitman form an alliance in order to bring down their common enemy.

An uptight, conservative businesswoman accompanies her boyfriend to his eccentric and outgoing family's annual Christmas celebration and finds that she's a fish out of water in their free-spirited way of life.

A group of young miners venture into the Gold Spike Mine in search of gold, even after being warned by old-time prospectors to stay away. The miners proceed into the caverns anyway and soon realize that there’s no gold in these mines, but also that they’re not alone.

With the help of a magical lamp, an impoverished young man transforms himself into a prince in order to win the heart of a beautiful princess. A live-action retelling of the 1992 Disney film of the same name.

Harry, Billy and Dean are three hustlers at different stages in their careers. All must deal with the realities of their profession. One falls in love with a client, another enters deeper into denial, and another begins to learn the ropes.

Beneficiaries gather for the reading of a will. Murders ensue.

A Great Historical Program for a Visual Effects Class. Twilight Cameraman gives a rare glimpse into the remarkable craft of optical printing which was of great importance in the field of visual effects. It demonstrates the step-by-step procedures used to shoot film opticals. Before his transition into digital, Visual Effects cameraman Mark Sawicki documented the old style craftsmanship of the traditional optical cameraman. This program is a wonderful companion piece to the Albert Whitlock: A Master of Illusion as Sawicki worked as cameraman for Whitlock's protg's Bill Taylor and Syd Dutton (now effects supervisors). This program pays homage to an exciting craft that was handed down from one camera person to another in the last age of apprenticeship.