Maeve Murphy

A short film about love and loss. Do eternal bonds exist beyond the grave or has grief driven a man mad?

A culminating triptych/trilogy of three shorts , Siobhan, St Pancras Sunrise Short, The Wolf 30 minutes long exploring violence against women across all landscapes, rural, urban -institutional and the home. And women's responses, though structured around hope, it also dramatizes the epidemic of violence as a omnipresent force not isolated incidents. It also shows tragedy, increasing strength of women and a gripping unbearable tension.

Leah has forgotten who she is. She thought the man known as The Wolf would be her knight in shining amour but then he subjects her to attacks and then he goes for her son - she knows now is the time to escape.

A young Irish musician arrives in London in 1982 full of optimism and the desire to realise her dreams as an artist. She will have to come up against a reality of violence and oppression, even from the police.

A young man (Aidan Gillan) arrives in the midst of London's Soho. He's from Belfast, he's anxious and he looks like he's running away from something. Then, by chance, he meets Grace, a prostitute who happens to come from Belfast too. A connection is made and, for a brief time, she seems to offer the chance of a new future.

When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.

In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell – on whose life much of the film seems to be loosely based – was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland – not just by the more celebrated male prisoners – but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.

Kate is an out of work actress working in a shop, until that is, she is made redundant. In a week from hell Kate's boyfriend leaves her, the shop goes bust and rent and gas bills have not been paid. Inspired by the notorious outlaw Bonnie Parker, Kate gathers a gang from her shop assistant friends and comes up with a plot to rob the shop, but who is her Clyde?