Jorge Zuhair Jury

Love, passion, disappointment, pain and sadness shape this love triangle between Aniceto, Francisca and Lucía, played by dancers Hernán Piquín, Natalia Pelayo and Alejandra Baldón.

Mario, “el Rulo,” is a wanderer who travels the country giving artistic performances. One day he passes through the town of Carlos, a municipal employee who dreams of being an artist. A friendship is born between the two of them, and Carlos leaves it all behind to follow Mario.

The story of a delinquent eleven-year-old orphan in authoritarian Argentina.

In the late nineteenth century, the mule driver Juan Moreira is a good gaucho and worker who, like many others, is subjected to abuse and humiliation by the powerful, either the police or landowners.

Fernandez is a lonely man leading a lonely life. All he does is work for an old man in a hardware store. But all that changes, when he meets the girl of his dreams... and her family.

The Mighty One offers Nazareno Cruz all the wealth in the world if he agrees to abandon his beloved; otherwise, the curse that supposedly weighs on him will be fulfilled.

Adaptation to animated film for children of the classic poem of manners from Argentine literature that shows the life and hardships of the gaucho¸ character who inhabits the Argentine fields known as pampas.

The story of José María Gatica, better known as Gatica el Mono, Argentina's main boxing star during the 1940s and 50s. The film follows his ascent, his relation with peronism and their downfall.

A biographical film about the Tucumán pianist Miguel Ángel Estrella, which focuses on his imprisonment in a Uruguayan prison during the last military dictatorship.

Aniceto is used to being lonely. When Francisca offers him her love, his personal limitations and little miseries arise.

A girl and her fantasy universe in the brick ovens.

When a Mapuche community is displaced from their land by authorities, one of their members, Nahuel Pan (Fabián Gianola), decides to confront the president of Argentina and tell him about his people's problems. On the bus to Buenos Aires he meets Fernando (Alberto Segado), a gay businessman, who invites Nahuel to his home. Fernando's dissolute lifestyle of costume parties and heavy drinking begins to seem more and more empty and frivolous as he identifies with Nahuel's quest to overcome beaurocracy and indifference. Occasionally funny and ultimately heartbreaking.