Pierre Léon

The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.

Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. Another is the opportunistic Ganya, whom Totsky has promised 75,000 rubles if he will marry Nastassia. Rogozhin offers Nastassia 100,000 rubles for her hand. And the “idiot,” Prince Myshkin, loves Nastassia madly and vows to “save” her.

1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.

An actress will play Barbara, the French singer. The shoot will soon start. The actress works on her character, her voice, the songs, scores, the gestures, knitting, scenes she has to learn, things are going okay, there's progress, development, she is even overwhelmed. The film director also works, through his encounters, through archives, music, he let's himself be submerged, overwhelmed like the actress, by the actress.

A "three people relationship" with a pact involving a terrible past. The pact concerns France, Anne and Pierre.

Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?

Mrs. Géquil is an eccentric teacher despised by her colleagues and students. On a stormy night, she is struck by lightning and faints. When she wakes up, she feels different. Will she now be able to keep the powerful and dangerous Mrs. Hyde contained?

A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

Elegantly and carefully, Léon trains his sights both on Chekhov’s famous play written in 1896 and on its earlier, lesser known version entitled "The Wood Demon" (1889), combining the two.

Pierre Léon ingeniously condenses and updates Dostoevsky’s novel about a 19-year-old intellectual reconnecting with his estranged family in his impressive debut feature.

Alexandre, a thirty-year old tailor, has decided to improve his cultural level. That is the reason why he has decided to attend an evening school. The lessons are given in the classroom of an elementary class by a teacher named Etienne. The subject of the course is : "The solitude of Jean-Jacques Rousseau". Will Alexandre become another man after grappling with with Rousseau, Diderot and ... Etienne? - Guy Bellinger

The film is a love story which tells the impossible tale of two youths who have never before met. The action unrolls in Paris between 1979 and 1980.

It is due to some professional obligations that brothers Charles and Fredi turn their attention to theater. Charles, an actor does not want Fredi to write a book on him.

Two film directors and a writer are in Portugal for an expedition through various images, moments from the history of Western allegorical representation. The writer is Jean-Louis Schefer, and this tale encapsulates his life’s mission.

A lonely man receives a baby in the middle of the night. He is ill prepared to care for this mysterious infant. He develops an attachment.

Paris, at the beginning of the 21st century. Edouard is a painter, Charles is a poet. The two artists are friends, but their adverse circumstances begin to weigh on them. Gulcan, a foreigner, suddenly appears. He has an idea.

Laurent comes to visit his father not far from Bethune. But his father, who lives a hermit's life deep in the woods, has only one thing on his mind : to do away with his six children in order to relieve them of the miseries of life. Welcomed at the Caboche farm where his brother Frederic works (Frederic advises him not to try to see their father), Laurent is delighted to see hardy 81 year old Alfred again. The gods are not far off, and, despite all, the pleasures of existence too.

During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.

Two brothers, Pierre and Vladimir, wonder if their Russian grandparents, Lily and Constantin, worked for the Soviet secret services in Paris during the 1930s and 1940s. Their research begins in Russia. After meetings and conversations, yellowish photos and vodka glasses, a lost world begins to emerge harassing the present.

Nora is a bright young professional whose new job at a financial firm turns out to be a trial by fire when she learns that her bosses share a tumultuous history with her prickly mathematician father. Meanwhile, an interoffice romance with a competitive colleague leads to even more complications, leaving Nora to navigate a minefield of delicate relationships as she climbs the corporate ladder.

North of Italy, the von Kettens dispute the forces of the Episcopate of Trent. Herr Ketten seeks marriage in a distant country, Portugal. After their honeymoon journey back home, Ketten leaves again for the war. Eleven years elapsed… Rumours are running about the presence of that 'foreigner' in the castle. Some say she's a heretic. Until one day, the Bishop of Trento ends up dying and, with the signature of peace, falls the background of von Ketten's life. Will the Portuguese win, where death seems to be moving in?

Two sons, Pierre and Vladimir, question their father, Max Léon, about his biography in a domestic environment. What could be a simple family chat expands to the complex dimensions of history, since his life is that of a certain destiny, first involved in the resistance, then as a major activist in the Communist Party. The two archivists widen the circle to listen to the testimonies of their mother, Svettlana, their sister, Michèle, and other witnesses, comrades in utopia: Jacques Rossi, a former Komintern agent deported to the Gulag, and Marina Vlady, who lived in the USSR in the 1930s and was the wife of the protest singer Vladimir Vyssotsky. History is filtered through conversations that do not exclude silence or questioning. – FIDMarseille