Laurent Mothe

After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple.

Clémence, the fearless mayor of a town near Paris, is completing the final term of her political career. With her faithful right-hand man Yazid, she has long fought for this town plagued by inequality, unemployment and slumlords. However, when Clémence is approached to become Minister, her ambition arises, questioning her devotion and commitment to her citizens. Will her political integrity and election promises survive her newly found ambition?

He can deliver a breathtaking speech on the American soul to flabbergasted schoolboys, get mixed up in the private lives of his citizens, and even get his 18-year-old daughter to swear that never, but never, would she leave home. Meet Simon Wolberg, mayor of a small provincial city, madly in love with his wife, an interfering father and provocative son. This man is driven by an obsession with his family. Which leads him to test the force and fragility of these bonds.

A boy, a girl. They live in the same building. They share a passion for music. But when they meet in the elevator, Théo doesn’t see that Élise is blind. It’s hate at first sight. Love takes its time. Will that early misunderstanding bring them together or drive them apart?

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.