Magüi Mira

Lucía, a club dancer on the run, takes refuge in a sinister building on the outskirts of Madrid where her sister Rocío lives with her daughter Alba.

This is a Spanish Drama starring Antonio Banderas

A profoundly feminine drama about the agreements and disagreements between three actresses of different ages united by family ties and separated by generational conflicts, with artistic creation as a backdrop.

Víctor is a film director who is overcome by his own misfortunes. He is an alcoholic, unemployed and terribly depressed, largely because of the death of his wife. However, Victor is still the best in one thing: telling fantastic stories to his nine-year-old son, Ingmar. These stories are each of the scripts he dreams of directing in the future, when he gathers all the necessary resources. Victor and Ingmar share a present full of sadness and precariousness, but also full of robots and locations of films they have seen together. Despite forming a great team, their problems will multiply when others begin to question their role as a father.

Manuela de Fora, an elegant woman, widow of Pajares, lives with the sole obsession of marrying well her two daughters from her second marriage, Concha Blanca Jara and Amparo. She also has Juanito, son from her first marriage, but she despises him for wanting to be a merchant, like his father. Who really appreciates the laborious Juanito is his uncle Juan, a man of austere habits that blames his sister Manuela for wasting money to pretend being of high social position.

The film tells in a funny way the ups and downs of a widower who would like to marry again. But his choice to take a young woman as the bride does not conform with what his three daughters want as stepmother. Naturally this will cause all kinds of irritation and problems

Don Martin, the owner of a repair company, hires Jamaican Ali to fix television antennas. The boy, besides being an excellent professional, causes a furor among the neighbors because of his great attractiveness, so the men will do everything possible to make him leave and stop competing with them.

Two amateur thieves are hired to steal an extremely valuable Van Gogh painting from the abandoned farm of an Argentinian countess.

Ernesto learns that his mother has passed and yet worse that they plan to bury her in a graveyard. Determined to fulfill his late mum's wishes, he plans to steal the coffin.

After the Turia River overflows its banks, journalist Olvido and police sergeant Fermín investigate the appearance of six bodies with strange scars that point to a dark conspiracy.

A decadent musical set in the last days of Franco's dictatorship.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A major traffic jam throws thousands of citizens on the outskirts of Madrid into chaos, disrupting their plans. This everyday situation will be the starting point for unexpected, comical, and emotional plots.

An account of the life of Teresa of Ávila (1515-1582), from her spiritual awakening to her final days, as she struggles to reform the Order of the Carmelites and with her own faith.

The series recreates the life of the Spanish scientist Miguel Servet from his birth until his execution for blasphemy in 1553.