Fatym Layachi

England, 1021: Born in a miserable mining town, Robert Cole swears to become a physician and vanquish disease and death. His harsh path of many years, a quest for knowledge besieged by countless challenges and sacrifices, leads him to the remote Isfahan, in Persia, where he meets Ibn Sina, the greatest healer of his time.

Naïm, a renowned anthropologist, wants to make a film on beautiful Mririda, a Berber poet and courtesan who mesmerizes him. At the brothel where she used to go, Naïm is struck by the beauty, the sensuous tattoos of young prostitute Adjou. He immediately feels bound in his flesh and soul to Adjou, a kind of mirror image to Mririda. Adjou’s brutal murder triggers a police investigation. In his desperate search for truth, Naïm sways between a world of imagination and reality. Lazcen Zinoun is the conductor of a film composed like a five-movement opus framed by tribal rituals and practices like the mysterious, erotic tattooing of women. He sings the hymn of freedom for women to control their own bodies in a society still paralyzed by ancient codes. He films Fatym Layachi’s goddess-like body with the same poetry and lyricism as he does the sexual passion that enflames the lovers.

Casablanca, the year of the baccalaureate. The carefree life of Morocco's golden youth and all its excesses: car races, friendships, music, alcohol, but also first loves and the anxiety of transitioning to adulthood... Marock presents a side of Morocco that is often unknown, seen through the eyes of Rita, 17, who is determined to live life on her own terms.

The film follows Zaynab an-Nafzawiyyah, wife of husband Prince Yusuf ibn Tashfin, founder of the city of Marrakech during the Almoravid era

Aya only dreams of finding love like her favorite opera character Carmen. But the person who steals her heart is a powerful hashish trafficker known as The Baron. After buying her virginity from her brothers, he soon reveals himself to be an illusory prince charming.