Ismael Kanater

A chronicle of Gertrude Bell's life, a traveler, writer, archaeologist, explorer, cartographer, and political attaché for the British Empire in the Near and Middle East at the dawn of the twentieth century. Her knowledge of the tribal leaders is used by the British to establish the Kingdoms of Iraq, Jordan and Saudi Arabia.

Over a weekend in the High Atlas Mountains of Morocco, a random accident reverberates through the lives of both the local Muslims and Western visitors to a house party in a grand villa.

In the days leading to betrayal, a gathering of disciples unravels into a web of secrets and hidden motives. As tensions simmer beneath the surface, trust is tested, and loyalty is questioned. The Last Supper becomes a night where nothing is as it seems, and every glance hides a deeper truth.

Naïm, a renowned anthropologist, wants to make a film on beautiful Mririda, a Berber poet and courtesan who mesmerizes him. At the brothel where she used to go, Naïm is struck by the beauty, the sensuous tattoos of young prostitute Adjou. He immediately feels bound in his flesh and soul to Adjou, a kind of mirror image to Mririda. Adjou’s brutal murder triggers a police investigation. In his desperate search for truth, Naïm sways between a world of imagination and reality. Lazcen Zinoun is the conductor of a film composed like a five-movement opus framed by tribal rituals and practices like the mysterious, erotic tattooing of women. He sings the hymn of freedom for women to control their own bodies in a society still paralyzed by ancient codes. He films Fatym Layachi’s goddess-like body with the same poetry and lyricism as he does the sexual passion that enflames the lovers.

In the dark, throbbing world of underground raves, people are vanishing without a trace and Detective Hank Holten is the only one who knows the terrible truth. Vampires.

A devoted mother struggles to raise her teenage son living with severe autism, confronting daily challenges while navigating the fragile balance between love, patience, and the desire for her child to find his place in the world.

Casablanca, July 1999. With longtime monarch Hassan II on his deathbed, there is an air of uncertainty weighing on Morocco - and especially on one marginalized young man, M'key. M'key finds a surrogate father figure in "pit bull" police commissioner Daoud and finds love with the enchanting Rita, but Rita is kept under close watch by her gangster brothers.

Four lifelong sufferers of injustice - four elderly women known as “the Hajjates” - band together to reclaim agency over their lives. With the help of a young couple, their rebellious alliance embarks on a series of adventures, rediscovering joy and making their voices heard.